My husband recently took the plunge and decided to sign up for a free trial of Audible. As he had read an early review in The Times of The Girl on the Train by Paula Hawkins which had got us both intrigued, it was an easy choice for our first audiobook. We had decided that we would listen to it together to share our thoughts as we ‘read’ something at the same time. We started it on the plane journey to France in the middle of August, listening on and off during that week and then on the way back. We just finished it, a month and a half later, on a long car journey to Oxfordshire and back.
This was the first shock for me. I am a fast reader. My husband is not. If it had just been me, I would have finished it much more quickly and at first, the slower pace drove me a bit mad. Not only the pace of our ability to listen to it at the same time on any kind of a regular basis but also the pace of the actual narration. There are actually three female narrators in this story and I found at the beginning that I kept forgetting little details that I couldn’t easily go back and check. We did get used to the narrators and the pace though and in time, we came to enjoy the whole experience.
This had a lot to do with the quality of the story as well, which was one of the best psychological thrillers I have ever ‘read.’ As a writer myself, I found I was constantly listening to the vocabulary and to certain turns of phrase in a way that maybe I don’t take the time to when I’m reading as quickly as I usually do. The constant twists and turns of the plot kept us guessing until we were almost at the end…when my husband guessed and told me what he thought. Hmmm. We enjoyed listening to the story together though and over the time we were doing so, we listened on a plane, in the car, while making dinner and even in bed…but we both fell asleep! I’m not sure if we did ever listen to it on the train but the options are endless 😉 It is an excellent story and one I wish I could have written 🙂
I have already considered whether to have an audiobook created for From Here to Nashville but not gone any further with it than that. First of all, after your free trial runs out, your subscription costs you £7.99 a month and for this, you have one credit, equal to one book. This is a fair amount of money – for a fair amount of work, I know – but compared to an ebook, it’s a lot more. As I don’t drive anywhere long distance on a regular basis, I don’t think I would prefer it over actually reading a paperback or an ebook. For those who do, I can see it certainly would have its benefits, especially when you’re stuck in traffic, although it could easily be a distraction at times. However, how many people would be prepared to pay that amount of money for an audiobook by an unknown (still!) author? Paula Hawkins was also unknown at the time but she’d already got her book deal and as I said, we read a review of her book in The Times. I’m still waiting for them to get back to me about the one they’re writing for my debut 😉
It was interesting to note that in The Girl on the Train, the male voices are all narrated by the female narrators. This made for an interesting take on the sound of different men’s voices from the different female characters’ perspectives. For me, this would be tricky. I have a British woman and an American man, from Tennessee so I would have to have at least two narrators which would undoubtedly be difficult to find and also would affect the cost dependent on which path I chose – a one-off payment to the narrators or a share of any subsequent profits. As a new author, the cost would be prohibitive to pay them upfront before any sales, so I would probably go with a share of the royalties option. There is a lot more information about this whole process on Joanna Penn’s helpful website, The Creative Penn if you would like to read about all the options in more detail.
So while I enjoyed the experience as a reader, I don’t think it would be my preference in the future. This makes me reluctant to do it for my own books, especially when I am still so new to all this self-publishing lark. This is another job to add to an already very long list of jobs to do as an indie and one that can perhaps wait a while.
How about you? Fan of audiobooks or not? Do leave me a message in the comments. I’d love to hear from you. Thanks for reading.
Picture Credits: Amazon and Doubleday Publishing.