A Month of Milestones

When I wrote my last post, some time ago (ahem!), I told you all how pleased I was to have found out that I was eligible to join The Society of Authors as an ’emerging author.’

Since then, I’ve attended a couple of meetings of my local group in Hitchin and as a result, I am now going to be taking part in the first ever Open Book Literary Festival in Hitchin on the 29th of this month. I will be giving a talk entitled ‘My Journey from Complete Beginner to Self-Published Author – How and Why I Self-Publish my Contemporary Romance Novels’ and my books will also be on sale that day to festival visitors. I am both very excited and frightened to death by the prospect of giving a talk at a festival but I have to start somewhere and I’m really glad that I’ll have the opportunity to fulfil this milestone.

In the run-up to the festival, there’s going to be lots of publicity:

  • we’re on the SoA website as an event!
  • We’re going to be on display in Waterstones in Hitchin in their local authors window.
  • We’re going to be featured in Writing Magazine and also in lots of local press.

In the course of trying to arrange for my books to be available for Waterstones to order directly if anyone asks, I found that my first book, From Here to Nashville, is actually available on their website already! Who knew? However, The Vineyard in Alsace is not there. Both my books are listed on Nielsen and I’ve had orders for the first one through Gardners, one of the two main book distributors so I’m just trying to join up all the dots to see if I can make this happen for my second book too. All in all, it is going to be an exciting time. If you are in the area or nearby that day, please do come along – it would be lovely to have some support in the audience. Tickets are available here.

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I have just come back from a lovely holiday in Menorca, during which I really felt like I got away from it all, even though I took my computer with me and we had Wi-Fi access. I took my laptop mainly because I needed to carry on writing my next book whenever possible. I have reached a real sticking point with it around about chapter 10/11 and despite rewriting several times, I’ve just not been able to move forward. I spent a lot of time talking over the issues in the book with my husband on holiday and that did help to clarify the story. I was just about moving on when we came home again! I really need to maintain that discipline as we go through this month and next to get my book finished if I can.

The pressure behind this happening is because I have to submit it to the RNA’s New Writers’ Scheme by the end of August and I value the feedback I get from that report so much that I really want to meet that deadline. This is especially important this year because… drum roll please… I will be graduating from the NWS this year to become an Independent Author of the Romantic Novelists’ Association. My second book, The Vineyard in Alsace, has done so well that I have now met all the criteria in terms of books published, sales and profits, that I am eligible to leave the NWS behind. I am so proud of this achievement that I have reached all by my own effort and although I will be sad to leave the NWS, I will be very honoured by my new membership status.

This is yet another milestone for me, along with the fact that my second book has now sold more copies in just over three months than my first book has sold all together (although I’m still very proud of Nashville too). I have to confess to being a little obsessed by the data on my Kindle Publishing dashboard (the other reason I took the laptop) but it’s so satisfying to see those sales rising every day! Last month was incredible with my sales reaching dizzying new heights and there’s even been a knock-on effect with extra sales of Nashville, the like of which I haven’t seen since I first published it. I did also try my hand at a couple of Amazon Ads for Nashville which I believed helped things along. I have thought about doing a free deal but I just can’t bring myself to do this so I’m always exploring various book marketing ideas to keep those sales coming in.

I’m looking forward to seeing what July will bring in my writing life and will report back on that next time! I have a couple of lovely romance authors being featured on my blog this month as well. Firstly, Helen Pollard on the 16th, who was my very first guest on my Author Spotlight feature many moons ago, and then Karen King on the 23rd. I’m looking forward to sharing their news about their new books with you. Until next time, thanks for reading 🙂

One Month Since the Publication of Book 2

As I’m writing this, it has been a month since I indie published The Vineyard in Alsace, my second full-length novel. It has been a really good month with sales reaching higher than those for From Here to Nashville in its first month two years ago. While I’m really pleased about this, of course, I wish I knew how it had happened so I could do more of the same!

I’ve been a guest on some lovely blogs again but no more than last time, although perhaps the reach of those sites is greater than the ones I guested on last time. I have tweeted here and there about my book but I hate the idea of constantly tweeting about my book so it hasn’t been very regular. I’ve taken part in the RNA’s weekly hashtag on Twitter though which leads to an incredible amount of RTs from the generous members of the group so that has probably helped somewhat. I haven’t written a blog post myself in the past month so that can’t be it! I have shared my Facebook Author Page posts a bit more to my personal timeline and I also tried boosting one of my posts for a while. I have also sold some of my paperbacks independently but not that many. I’m starting to get a few reviews in now but again, not that many yet. I did get into the top 10,000 ranking on Amazon, which was a lovely feeling.

So I am at a loss as to what is helping the book to sell so well. It is only for sale on Amazon at the moment so I guess that Amazon’s algorithms must be doing something for me. It may be them showing my new book to readers who have bought Nashville and perhaps that’s leading them to buy The Vineyard in Alsace as well. It’s tempting to say, whatever it is, I don’t care as long as it’s selling. But you can guess that I’m not going to. I’ve been giving it all a lot of thought, as you can tell. Conversely, sales of my first book have stopped dead, which is understandable but still makes me feel sad. I recently updated the back matter in From Here to Nashville to include the detail of my new book and I think it might be time to put Nashville up for a Kindle Countdown free deal. At last, all those articles I’ve been clipping about running a free book promotion will come into their own!

My prime reason for doing this would be to try and get more reviews for From Here to Nashville. It’s said that when you get to 50 reviews, the Amazon algorithms kick in somehow and start to promote your book more for you. Whether this is actually true, I don’t yet know but I’d love to get more reviews anyway. I have 30 at the moment and have been stuck there for a long time – if you’ve read From Here to Nashville and haven’t yet reviewed, please go and write one for me now! Just click here.

So I’m going to spend some time doing some research into the best approach to running a free deal on Amazon. Then I’ll upload the new version of From Here to Nashville and see what happens. In the meantime, I shall keep my fingers crossed that the good sales continue. If you haven’t bought your copy of The Vineyard in Alsace yet, you can get your copy here. So many people have told me that they read it in one sitting, they were enjoying it so much so you might like to go and see what all the fuss is about!

Thanks for reading and do leave me a comment if you have any advice from running your own Kindle Promotions. All advice gratefully received 🙂

Publication Day #2 and Lessons I have Learned!

thevineyardinalsacePublication Day of my second novel The Vineyard in Alsace has come at last and I have managed to co-ordinate the Kindle and the paperback versions to be published at the same time, something I didn’t quite achieve first time round. As regular readers will know, this book has been a long time coming but it’s here now, indie published again, and I couldn’t be happier.

Some of you may have read my interview with my good writing friend, Susanna Bavin which was posted this weekend. Sue has been such a good friend to me, always cheering me on and boosting my confidence. I am truly grateful to her for her support. If you haven’t seen the article, do pop over and have a read if you can.

On Friday 10th March, I will be appearing on the French Village Diaries website, talking about my love of France, which I am really pleased about. It’s so lovely to discover a new website dedicated to some of my favourite things. So if you like all things French as much as I do, don’t forget to pop on over and have a look. Jacqui will also be posting a review of my book a couple of days later so look out for that. You can always get your own copy now though, if you can’t wait! Just click here.

Next weekend, I will be on fellow romance author, Abbey MacMunn’s blog, talking about the inspiration behind The Vineyard in Alsace, and the Monday after, I will be on my friend, Sam Russell’s blog, talking about how I came to write a book about a vineyard from the rustic viewpoint! I have another couple of guest blogs coming up in the near future as well but no dates for those as yet.

Amazingly, it has only been seven weeks since I first spoke to the designer and proofreader I used this time round because, as my book was already edited, it was pretty much ready to go into the final phase. However, I have learnt a few lessons since last time and I thought it would be good to share them with you.

  1. In retrospect, it would have been better to get the proofreading done and out of the way before engaging the designer. This is because when you come to sort out your paperback version, you can’t get the number of pages of your book until you upload your final mansucript, and your designer needs this for the width of the book spine. It may sound obvious to some people but if I came across this last time, I’d forgotten!
  2. If you have a foreign language in your book, like I do, and you want your proofreader to check it, make sure the one you want to use is available by speaking to them a couple of months before. By the time I spoke to my original choice of proofreader, she was all booked up. To be fair though, I hadn’t planned this very much in advance so I didn’t even know two months before that I was actually going to indie publish again. I found another wonderful proofreader but she was very honest in telling me that she wouldn’t be able to check the French. I got round the problem but it’s a lesson learned for the future.
  3. As many of you will know, I write in Scrivener which is so great in terms of generating a .mobi file. It also generates Pdf files which can be uploaded directly to CreateSpace but I really couldn’t work that out last time so I uploaded a Word document instead. This time, I was determined to do the Pdf to save some time. However, a Pdf is like a photo of your file and you can’t adjust things, like empty lines at the top of the page or widows and orphans. I have reviewed my file using CreateSpace’s online reviewer tool (when it finally decided to work for me) and it looks acceptable but with hindsight, I wish I had just gone for the Word option. A proof copy is on its way to me and if I really can’t stand it, I will swap the files over. All this adds to the time it takes to do everything, of course!
  4. I put my book up for pre-order again as I did last time and was surprised to see that I can now see a report at any time on just how many pre-orders I’ve got and how that compares with last time. There’s a lot of talk about whether it’s worth putting your book up for pre-order and my conclusion is that it is worth it. It generates a bit of a buzz and a sense of expectation and even if you don’t sell many, at least you can see sales coming in 🙂 I’d be interested to know what you all think about pre-orders from a sales point of view and as a reader? Is it a Marmite situation or do you think it doesn’t matter either way?
  5. The other thing that I did last time was to create a book trailer using Stupeflix. I think a book trailer is a good thing to do but crikey, it’s so time consuming! I’ve looked at a few other software programs like Animoto for example but didn’t find them any easier so the date for the book trailer is TBC 😉

And so, there it is. All in all, it has been a bit of an easier ride this time round but it’s amazing how much you forget in two years. I really do hope to publish my FHTN novella this year so I hope it will all remain fresh in my memory till then!

Thanks for all your support and to everyone who has bought my book especially!

Moving on after a tumultuous year

dscn2089Well, I knew I hadn’t been blogging as much as usual but I was still surprised to see how long it actually was since my last post on this site. Last year knocked me for six in many ways, as I’m sure it did a lot of other people. I’m not just talking about the obvious stuff but personally and professionally as well. This had a knock-on effect on my writing and I feel I’m only just coming out of that funk…

So what’s happening? Well, my second book has been finished for a little while now and I sent it off to some more publishers to see if there was any interest. I first sent it out in December 2015 and had some responses but no-one wanted to go the whole hog. I then spent a fair bit of time trying to find an editor I could afford, to help me with the necessary rewriting. That took me till June of last year and I worked on it all the way through the summer with her, finalising it at the end of September. I then dithered about a bit, wondering whether a traditional contract was really what I was looking for. In the end, I did submit it again but I still wasn’t really sure that it was what I wanted. I have heard back from some of those publishers but I’m still waiting on one other and I feel that if I haven’t heard by now (nearly two months later), it’s most likely not going to be good news. If the answer is ‘no’ once more, I really am going to get on and self-publish. I recently finished my accounts for last year and I realised that sales of my first book would qualify me as an independent author of the RNA if I had only published two novels! I was almost there for the Society of Authors as well. So, it’s time to crack on, I think.

In the meantime, I have started work on editing my follow-up novella to From Here to Nashville, as well as beginning the first draft of my third book to submit to the RNA later this year. I still have lots of writing plans but the hesitation over whether to self-publish or whether to seek a traditional contract made last year disappear all too quickly for me. Part of the problem with self-publishing, as so many of you reading this will know, is that it costs a fair bit of money to do it properly and as I left my permanent teaching job at the end of 2015, I didn’t have much money to throw around for most of last year. However, I did have regular work all year as a supply teacher, tutor and web designer and this recently led me to a new part-time job for a local charity as a Communications Officer. This will obviously make this year a lot more stable for me. I will still do a bit of supply teaching but my freelance website work has really picked up as well and I’d like to explore that further in the coming months. Proofreading never really took off for me but every cloud has a silver lining, or at least some of them do 😉

So having said all that, I should be looking at publication of book two very soon, I hope, and possibly publication of the novella as well. I guess I’ll just have to see how things go and not beat myself up too much if it doesn’t quite go according to plan the whole time. As long as I keep writing, that’s the main thing. With that in mind, I have signed up to the RNA’s New Writers’ Scheme again, which will force me to write my third book and will also make sure that I stay involved with other writing groups and friends. Last year, I wrote about ‘The Brave New World of 2016’ and I have felt very brave at times over the year as I dealt with some very unexpected things. I can honestly say that I won’t really miss last year though. We can only hope that 2017 is better for everyone. I leave you with a quote from Alfred, Lord Tennyson: ‘Hope smiles from the threshold of the year to come, whispering, ‘It will be happier.” Wishing you all the best that a New Year can bring.

 

If you would like my help with your website, whether to sort out a minor niggle that you just don’t have time for, or for a full-blown new website design, please do get in touch. My freelance site is here or you can just leave me a comment 🙂

The Authors’ Compass

WP_20160423_004Last Saturday, I attended a conference organised by The Society of Authors in Manchester, the first event I have been to for a while. It was just the pick-me-up I needed and a chance to get out and about to network with old friends and new. The day focussed on the changing face of publishing and as a self-published author myself, I was really interested to see if I could pick up new information to take forward.

The keynote address was given by Kate Harrison, who I’ve heard speak before at one of the RNA conferences and who is both a romance author and a non-fiction writer. Some of you may know her, as I do, as the author of the 5:2 Diet books. Kate’s talk was called ‘Navigation for Authors’ and she took us through what she sees as the benefits of the three different models of publishing existing today: traditional, self and hybrid.

Traditional Publishing – she described this as a sort of employee model.

  • If you’re lucky, you might get an advance under this model but you will definitely get royalties on your book sales.
  • You have access to your publisher’s wider distribution network but your royalties will be quite a low percentage compared to some other models.
  • You have no control over the price of your work, your rights to it or the marketing of it.

Self-Publishing  – this is the entrepreneur model, according to Kate.

  • You have to invest your cash upfront.
  • You build your own team.
  • You will encounter distribution barriers but you will get a higher percentage of the royalties potentially for all your book sales.
  • You control the price, your rights and your marketing.

Hybrid Publishing – this model allows you to maximise your value.

  • You make a decision as to how you’re going to publish on a project-by-project basis. In Kate’s case, she already had an agent and a publishing contract for her romance novels when she decided to write her first 5:2 Diet Book. Her publisher rejected it and so she worked with her agent to produce an ebook of her non-fiction work. It did so well that the publisher then offered her a contract for the paperback version.
  • Your brand strategy is under your control.
  • You have the flexibility to respond to the market and your own instincts.
  • You build a team on your own terms.

Kate’s review came at a very important time for me as I have been sending my second book out to agents and publishers but with very little success so far. I know that’s to be expected but it’s still hard to take, as I’m sure many of you will know from your own experience. I can see though that the hybrid model could have benefits and I know of a lot of authors who are going down this route. There was a lot of food for thought from Kate’s talk and if you get the chance to hear Kate speak, I would urge you to do so. You can find Kate on Twitter @Katewritesbooks.

WP_20160423_006The next session was called ‘The Publishing Landscape’ and presented by Kate Pool and Sarah Baxter who both advise members of The Society of Authors on publishing contracts. As I have never seen a publishing contract (!), I found this a very interesting session indeed. They made a few general points before they started talking about rights.

Firstly, self-published ebooks now account for about 20% of Amazon’s sales. The most popular genres in fiction are romance and crime, as you might expect. In non-fiction, the most popular subjects are health, diet, wholefood cookery and travel writing. However, they did say that it is very much about timing in terms of what readers want. They also mentioned that their revised guide to self-publishing will be available on their website in the next week or so. It costs £10 for non-members.

Moving on to rights, they said that the rights and terms a publisher will usually want are:

  • Territory and language.
  • Formats and media.
  • Use it or lose it. This means that if rights are unexploited after a certain length of time, the rights could then revert to you.

In the discussion that followed, they advised authors to be careful not to give away their non-print rights, which would include things like dramatisation, TV, plays etc. This is not a standard clause so The Society looks out for this one particularly. They advised that in terms of money, authors should think about two things: What is the publisher doing for you, how are they adding value and are you, as the author, getting a fair deal? Their final point was very interesting. They said that it almost doesn’t matter what rights you give away as long as there is a mechanism in your contract for you to escape from it. Food for thought indeed.

The next session was a panel chaired by RNA member, Rhoda Baxter, discussing ‘The Publishing Process.’ We heard from Kevin McCann, a poet and author of a book called Teach Yourself: Self-Publishing; from Richard Sheehan, a freelance proofreader and copy editor, who explained about the different types of editing available to authors; from Kate Roden of Fixabook.com, a company that analyses book design and gives creative guidance on jackets, blurbs and spines; and finally, from Helen Lewis, director of Literally PR.

The main things I learnt from this session were to do with cover design and PR. Kate advised that you think long and hard about your design strategy and what you want your design to achieve before you even contact your designer. Her tips to make your design better were to:

  • Consider what your customers like and what they want. She advised that you find this out by going on reader platforms on Facebook for example.
  • Play to the strengths of digital design, for example by having no words apart from the title on the cover. She highlighted one particular cover of recent times that she thought was especially good.
  • Use your fans to help generate excitement about your cover design. Involve them in your process if you can.
  • Mirror the design of the cover inside your book, as chapter titles for example (I loved this idea and wished I’d done that with the Nashville skyline!)

Helen Lewis had a great many tips to offer about PR but could only squeeze a few of them into the time available. I would really like to hear her full talk some time, which usually takes an hour! Anyway, in the mean time, here’s a few pieces of advice she gave.

  • Concentrate on only one social media platform and your website (Hallelujah!)
  • Build your author platform online by blogging and guest blogging. She also said that blogging shouldn’t have to be something you do all the time though. You should consider only blogging when a new book is coming out for example.
  • Build your platform offline by speaking at festivals, schools, businesses, parties, book clubs and signings at bookshops.
  • Invest time in building up interest in your book before publication. The Bookseller has a 6 month lead time for example.

She drew our attention to an article by Jane Friedman on Facebook for authors, which you can find here. She also mentioned that Literally PR has a Review Club on Facebook which authors can join for free by emailing Helen to join. That page is here. It doesn’t have many members at the moment but the idea looks interesting. Helen can also be found on Twitter @LiterallyPR.

The final session of the day, chaired by Kate Pool from The Society of Authors, was about ‘Publishing Routes‘ and featured Dan Kieran from Unbound, a funding platform and publishing company bringing authors and readers together; Kristen Harrison of The Curved House publishing company; and Michael Schmidt of independent literary publisher, Carcanet Press.

It was another very interesting panel with some innovative ideas about what publishing means in the modern world. I found Dan Kieran very captivating as a speaker and his own experience as an author is an amazing story. However, I can’t ever see myself buying into the idea of crowdfunding a novel to be honest, although it may suit other authors. In the case of Unbound, you have to raise a minimum of £3,000 once you’ve been accepted on to their scheme and then if you make that, they will publish your book for you in the traditional way, taking a split of the royalties. I couldn’t help noticing that many of the authors featured on their website are well-known names who wouldn’t find it as difficult as an unknown to crowd fund to that level perhaps. Still, an interesting concept and worth reading more about if you think crowd funding could be for you.

My favourite tip in this session came from Kristen Harrison when she told us about another project she is involved in called Visual Verse. This is an anthology of art and words, as this about page explains, where they supply an image and you have to respond to it with anywhere between 50 and 500 words. The twist is that you must write your piece within one hour and submit it. It is open to published and unpublished authors and some of the pieces already written are very powerful. I thought this was a fascinating idea and was a very different way, as Kristen said, of giving yourself an online footprint without having a website of your own. She was really into the idea of blogging projects with a start and finish, giving authors a much narrower remit than the standard idea of writing a blog post every week. If you’ve every wondered what the heck you were going to write about on your blog this week and felt overwhelmed by the very thought of it, you might like to consider this idea 😉

Well, as you can see, it was a very interesting conference and I learnt a great deal. You don’t have to be a member of The Society of Authors to attend their events by the way. I found out about this one via the RNA but all you have to do is to email them at this address info@societyofauthors.org and they will let you know what they have coming up.

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Time to Celebrate!

photoYesterday was the first day in a week of celebrations for me as my debut contemporary romance, From Here to Nashville, reaches the first anniversary of its publication day.

I began by spending the day in London with the RNA (The Romantic Novelists’ Association) yesterday for a special workshop entitled ‘How to Make an Impact in Romantic Fiction.’ First of all we heard from Matt Bates, the WH Smith Travel Book Buyer and Lyn Vernham, Managing Director of Independent Publisher, Choc Lit about what the industry might want from us as romantic fiction writers based on latest trends.

Amongst other things, Matt explained that E. L. James’ book ‘Grey’ had 23% of market sales last year leaving everyone else a bit stranded in the romance market! If you take that book out of the equation, the first book in the top 100 sellers from last year, with only 4.93%, was ‘The Woman who Stole my Life’ by Marian Keyes. Interesting, eh? He also said that £7.99 was the average paperback publication price and that ‘nature’ seems to be a trend in the titles of current bestsellers e.g. Beekeeper, Dandelion, Sunflower, Nightingales, Sea.

Lyn said that romance remains a hard market to get noticed in. She said that series are very popular at the moment and that Apple were really pushing them at one point. On the day that the shortlist for Choc Lit’s latest ‘Search for a Star’ competition came out, she revealed that the one after this competition would probably be the last one. She told us that £1.99 seems to be the best price for an ebook and that contemporary romances still sell the most.

In the afternoon, Julie Cohen took over with an interactive workshop called ‘How can we deliver the right impact with the opening to our romantic fiction novel?’ We had all been encouraged to bring in our own work for discussion. So Julie collected these from us at the start of the day and after we’d analysed the first 100 words of her current novel ‘Where Love Lies’ and picked up some tips on what to include and what to leave out, she set off reading out each of our individual pieces of work. It was a bit daunting at first because she read each one out and then commented on it and invited us to comment too. She mostly kept the entries anonymous though and her comments were very constructive and thoughtful. Although mine broke one of the ‘rules’ by starting with someone waking up in bed, the feedback was really useful and I asked Julie for some more advice afterwards as well. So I came away feeling positive. It was great to go on another writing day and it gave me back my motivation to get going with my writing again.

Saturday, 13th February, 2016

When I got home, I found that my first guest post for this coming week had gone live on my friend, Susanna Bavin’s blog. Sue has been so supportive of me and my writing over this past year and so it was lovely to be asked to return to her blog to celebrate From Here to Nashville’s first birthday.

I’m also appearing on Elaina James’ blog this weekend, talking about the forthcoming Curtis Brown Discovery Day during which I will get the opportunity to pitch to an agent, something I have never done before! You can read all about how I’m feeling and how I’m preparing for it here.

Monday, 15th February, 2016

Tomorrow, I will be appearing on my Canadian friend, Tracey Weller’s blog, Never Too Late to Write but this is an interview with a twist because Tracey and I did the interview over Skype! We actually talked for three hours in total and the original interview was thirty minutes or so. Obviously, we didn’t want you dropping off in the middle so Tracey has edited it down to ten minutes. Once I got over my initial shock of seeing myself on video (!), I actually found I enjoyed it and I hope you will too.

Thursday, 18th Feburary, 2016

I will also be guesting on Zeba Clarke’s blog, That Reading Writing Thing on Thursday, answering some very interesting questions that Zeba sent me. I’ve not appeared on Zeba’s blog before and it is so wonderful to be meeting new writers all the time and to be able to take them up on their generosity of spirit.

On Tuesday which is the actual anniversary of From Here to Nashville’s publication day, I will definitely raise a toast to my debut book which has done me proud in its first year. I will also thank goodness for all my lovely writing friends and supporters who have kept me going throughout the past year and who continue to inspire me for the future. Thank you!

Giving My First Talk as an Author

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Me in full swing!

My first author talk at my local library has now been and gone but I am still glowing from the wonderful evening I enjoyed there. The library staff were very kind in helping me set everything up beforehand and I had a good sized audience on the night with lots of friendly faces. The atmosphere was so welcoming that I hardly felt nervous at all, which I had really expected to. I ‘present’ all the time in my day job but it’s quite a different feeling when you’re talking about yourself. I know from speaking to other writers that the very idea of standing up in front of an audience scares them half to death! If you can do it though, giving an author talk really is worth it.

I had tried to get round my nerves by being very well-prepared and I think this paid off on the night. The plan was for me to talk about my debut novel From Here to Nashville and also my journey to self-publication. I wrote out what I was going to say over a couple of weeks, adding to the script as I thought of new things. Then I transferred it on to index cards, as advised by lots of other writing friends, and I practised to see how long it was, including me reading out an excerpt. All in all, it was 27 minutes long when I practised but on the night with a few questions, it was more like 45 minutes. I also videoed myself at home to see if I had any glaring habits that I wanted to avoid!

Once I had put the talk together, I had a chat with a writer friend of mine who also had a library talk coming up last week. She suggested playing some country music as people came in which I thought was a great idea and some of you may remember of course, that I even had a Spotify playlist already set up of the songs Rachel sings in the story so I added that to my plan. My friend also suggested asking the audience questions to involve them in the talk and to stop it from getting too formal so I did that too.

In the end, these were my headings:

  • How I started writing.
  • The Nashville TV series and how it inspired the idea for the story. Read out my blurb.
  • Writing as a ‘Pantser’ and discovering NaNoWriMo along the way, which led to me investing in Scrivener.
  • Discovering and then joining the RNA New Writers’ Scheme and my first report back from them.
  • Finding an editor, designer and proofreader.
  • Deciding to self-publish rather than trying for a traditional contract.
  • Publication to Amazon and later other platforms. Read an excerpt. Talked about trip to Nashville.
  • Marketing post-publication – social media activity, including this website and blog.
  • My next books.
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Talking to another RNA member who happened to come along!

One of the things I had to think about very carefully was what technology I would be able to use. The library is all set up for the internet but it isn’t working there currently. This meant I had to do screenshots of the things I wanted to show which could have been boring on their own. So I added in some content to my presentation to go with the shots as well. There were a fair few pictures of my books and I also had a table set up with my books and marketing materials on as well.

The library organised a projector and screen for me and we arrived early to set it all up and make sure it worked correctly. I had to take our bluetooth speaker from home so that we could play the music because the library didn’t have any speakers. I made a list of all the things I would have to take with me and checked and double-checked it before going!

As I said, everyone was so welcoming that I was fairly relaxed from the start. My daughter took some videos of me and my husband took some photos so we have something to remember it all by. I suppose I will have to give in and let you see one of the videos now!

I took a few questions afterwards as well over refreshments and I also sold signed copies of my books. In fact, I sold more copies than I have ever done before at an event of this kind!

So, all in all, as I said at the beginning, it was a very good experience. It was really hard to approach the library in the first instance but once I did, they were very encouraging and happy to help me with promotion and setting up along the way. As I hadn’t had the courage to send out a press release when I first published From Here to Nashville (I know!), this was a good opportunity to write one so that I know what to do next time round. So there were many benefits to doing this, not just the obvious ones.

I suspect that most libraries would welcome local authors with open arms as they try valiantly to keep people coming through their doors so if you love your local library as much as I love mine, then why not give it a try? You might be surprised at how much fun it is! Do leave me a comment below to tell me how you feel about the idea or maybe you’ve already done one so please share your experience 🙂