Moving on after a tumultuous year

dscn2089Well, I knew I hadn’t been blogging as much as usual but I was still surprised to see how long it actually was since my last post on this site. Last year knocked me for six in many ways, as I’m sure it did a lot of other people. I’m not just talking about the obvious stuff but personally and professionally as well. This had a knock-on effect on my writing and I feel I’m only just coming out of that funk…

So what’s happening? Well, my second book has been finished for a little while now and I sent it off to some more publishers to see if there was any interest. I first sent it out in December 2015 and had some responses but no-one wanted to go the whole hog. I then spent a fair bit of time trying to find an editor I could afford, to help me with the necessary rewriting. That took me till June of last year and I worked on it all the way through the summer with her, finalising it at the end of September. I then dithered about a bit, wondering whether a traditional contract was really what I was looking for. In the end, I did submit it again but I still wasn’t really sure that it was what I wanted. I have heard back from some of those publishers but I’m still waiting on one other and I feel that if I haven’t heard by now (nearly two months later), it’s most likely not going to be good news. If the answer is ‘no’ once more, I really am going to get on and self-publish. I recently finished my accounts for last year and I realised that sales of my first book would qualify me as an independent author of the RNA if I had only published two novels! I was almost there for the Society of Authors as well. So, it’s time to crack on, I think.

In the meantime, I have started work on editing my follow-up novella to From Here to Nashville, as well as beginning the first draft of my third book to submit to the RNA later this year. I still have lots of writing plans but the hesitation over whether to self-publish or whether to seek a traditional contract made last year disappear all too quickly for me. Part of the problem with self-publishing, as so many of you reading this will know, is that it costs a fair bit of money to do it properly and as I left my permanent teaching job at the end of 2015, I didn’t have much money to throw around for most of last year. However, I did have regular work all year as a supply teacher, tutor and web designer and this recently led me to a new part-time job for a local charity as a Communications Officer. This will obviously make this year a lot more stable for me. I will still do a bit of supply teaching but my freelance website work has really picked up as well and I’d like to explore that further in the coming months. Proofreading never really took off for me but every cloud has a silver lining, or at least some of them do 😉

So having said all that, I should be looking at publication of book two very soon, I hope, and possibly publication of the novella as well. I guess I’ll just have to see how things go and not beat myself up too much if it doesn’t quite go according to plan the whole time. As long as I keep writing, that’s the main thing. With that in mind, I have signed up to the RNA’s New Writers’ Scheme again, which will force me to write my third book and will also make sure that I stay involved with other writing groups and friends. Last year, I wrote about ‘The Brave New World of 2016’ and I have felt very brave at times over the year as I dealt with some very unexpected things. I can honestly say that I won’t really miss last year though. We can only hope that 2017 is better for everyone. I leave you with a quote from Alfred, Lord Tennyson: ‘Hope smiles from the threshold of the year to come, whispering, ‘It will be happier.” Wishing you all the best that a New Year can bring.

 

If you would like my help with your website, whether to sort out a minor niggle that you just don’t have time for, or for a full-blown new website design, please do get in touch. My freelance site is here or you can just leave me a comment 🙂

The Authors’ Compass

WP_20160423_004Last Saturday, I attended a conference organised by The Society of Authors in Manchester, the first event I have been to for a while. It was just the pick-me-up I needed and a chance to get out and about to network with old friends and new. The day focussed on the changing face of publishing and as a self-published author myself, I was really interested to see if I could pick up new information to take forward.

The keynote address was given by Kate Harrison, who I’ve heard speak before at one of the RNA conferences and who is both a romance author and a non-fiction writer. Some of you may know her, as I do, as the author of the 5:2 Diet books. Kate’s talk was called ‘Navigation for Authors’ and she took us through what she sees as the benefits of the three different models of publishing existing today: traditional, self and hybrid.

Traditional Publishing – she described this as a sort of employee model.

  • If you’re lucky, you might get an advance under this model but you will definitely get royalties on your book sales.
  • You have access to your publisher’s wider distribution network but your royalties will be quite a low percentage compared to some other models.
  • You have no control over the price of your work, your rights to it or the marketing of it.

Self-Publishing  – this is the entrepreneur model, according to Kate.

  • You have to invest your cash upfront.
  • You build your own team.
  • You will encounter distribution barriers but you will get a higher percentage of the royalties potentially for all your book sales.
  • You control the price, your rights and your marketing.

Hybrid Publishing – this model allows you to maximise your value.

  • You make a decision as to how you’re going to publish on a project-by-project basis. In Kate’s case, she already had an agent and a publishing contract for her romance novels when she decided to write her first 5:2 Diet Book. Her publisher rejected it and so she worked with her agent to produce an ebook of her non-fiction work. It did so well that the publisher then offered her a contract for the paperback version.
  • Your brand strategy is under your control.
  • You have the flexibility to respond to the market and your own instincts.
  • You build a team on your own terms.

Kate’s review came at a very important time for me as I have been sending my second book out to agents and publishers but with very little success so far. I know that’s to be expected but it’s still hard to take, as I’m sure many of you will know from your own experience. I can see though that the hybrid model could have benefits and I know of a lot of authors who are going down this route. There was a lot of food for thought from Kate’s talk and if you get the chance to hear Kate speak, I would urge you to do so. You can find Kate on Twitter @Katewritesbooks.

WP_20160423_006The next session was called ‘The Publishing Landscape’ and presented by Kate Pool and Sarah Baxter who both advise members of The Society of Authors on publishing contracts. As I have never seen a publishing contract (!), I found this a very interesting session indeed. They made a few general points before they started talking about rights.

Firstly, self-published ebooks now account for about 20% of Amazon’s sales. The most popular genres in fiction are romance and crime, as you might expect. In non-fiction, the most popular subjects are health, diet, wholefood cookery and travel writing. However, they did say that it is very much about timing in terms of what readers want. They also mentioned that their revised guide to self-publishing will be available on their website in the next week or so. It costs £10 for non-members.

Moving on to rights, they said that the rights and terms a publisher will usually want are:

  • Territory and language.
  • Formats and media.
  • Use it or lose it. This means that if rights are unexploited after a certain length of time, the rights could then revert to you.

In the discussion that followed, they advised authors to be careful not to give away their non-print rights, which would include things like dramatisation, TV, plays etc. This is not a standard clause so The Society looks out for this one particularly. They advised that in terms of money, authors should think about two things: What is the publisher doing for you, how are they adding value and are you, as the author, getting a fair deal? Their final point was very interesting. They said that it almost doesn’t matter what rights you give away as long as there is a mechanism in your contract for you to escape from it. Food for thought indeed.

The next session was a panel chaired by RNA member, Rhoda Baxter, discussing ‘The Publishing Process.’ We heard from Kevin McCann, a poet and author of a book called Teach Yourself: Self-Publishing; from Richard Sheehan, a freelance proofreader and copy editor, who explained about the different types of editing available to authors; from Kate Roden of Fixabook.com, a company that analyses book design and gives creative guidance on jackets, blurbs and spines; and finally, from Helen Lewis, director of Literally PR.

The main things I learnt from this session were to do with cover design and PR. Kate advised that you think long and hard about your design strategy and what you want your design to achieve before you even contact your designer. Her tips to make your design better were to:

  • Consider what your customers like and what they want. She advised that you find this out by going on reader platforms on Facebook for example.
  • Play to the strengths of digital design, for example by having no words apart from the title on the cover. She highlighted one particular cover of recent times that she thought was especially good.
  • Use your fans to help generate excitement about your cover design. Involve them in your process if you can.
  • Mirror the design of the cover inside your book, as chapter titles for example (I loved this idea and wished I’d done that with the Nashville skyline!)

Helen Lewis had a great many tips to offer about PR but could only squeeze a few of them into the time available. I would really like to hear her full talk some time, which usually takes an hour! Anyway, in the mean time, here’s a few pieces of advice she gave.

  • Concentrate on only one social media platform and your website (Hallelujah!)
  • Build your author platform online by blogging and guest blogging. She also said that blogging shouldn’t have to be something you do all the time though. You should consider only blogging when a new book is coming out for example.
  • Build your platform offline by speaking at festivals, schools, businesses, parties, book clubs and signings at bookshops.
  • Invest time in building up interest in your book before publication. The Bookseller has a 6 month lead time for example.

She drew our attention to an article by Jane Friedman on Facebook for authors, which you can find here. She also mentioned that Literally PR has a Review Club on Facebook which authors can join for free by emailing Helen to join. That page is here. It doesn’t have many members at the moment but the idea looks interesting. Helen can also be found on Twitter @LiterallyPR.

The final session of the day, chaired by Kate Pool from The Society of Authors, was about ‘Publishing Routes‘ and featured Dan Kieran from Unbound, a funding platform and publishing company bringing authors and readers together; Kristen Harrison of The Curved House publishing company; and Michael Schmidt of independent literary publisher, Carcanet Press.

It was another very interesting panel with some innovative ideas about what publishing means in the modern world. I found Dan Kieran very captivating as a speaker and his own experience as an author is an amazing story. However, I can’t ever see myself buying into the idea of crowdfunding a novel to be honest, although it may suit other authors. In the case of Unbound, you have to raise a minimum of £3,000 once you’ve been accepted on to their scheme and then if you make that, they will publish your book for you in the traditional way, taking a split of the royalties. I couldn’t help noticing that many of the authors featured on their website are well-known names who wouldn’t find it as difficult as an unknown to crowd fund to that level perhaps. Still, an interesting concept and worth reading more about if you think crowd funding could be for you.

My favourite tip in this session came from Kristen Harrison when she told us about another project she is involved in called Visual Verse. This is an anthology of art and words, as this about page explains, where they supply an image and you have to respond to it with anywhere between 50 and 500 words. The twist is that you must write your piece within one hour and submit it. It is open to published and unpublished authors and some of the pieces already written are very powerful. I thought this was a fascinating idea and was a very different way, as Kristen said, of giving yourself an online footprint without having a website of your own. She was really into the idea of blogging projects with a start and finish, giving authors a much narrower remit than the standard idea of writing a blog post every week. If you’ve every wondered what the heck you were going to write about on your blog this week and felt overwhelmed by the very thought of it, you might like to consider this idea 😉

Well, as you can see, it was a very interesting conference and I learnt a great deal. You don’t have to be a member of The Society of Authors to attend their events by the way. I found out about this one via the RNA but all you have to do is to email them at this address info@societyofauthors.org and they will let you know what they have coming up.

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Time to Celebrate!

photoYesterday was the first day in a week of celebrations for me as my debut contemporary romance, From Here to Nashville, reaches the first anniversary of its publication day.

I began by spending the day in London with the RNA (The Romantic Novelists’ Association) yesterday for a special workshop entitled ‘How to Make an Impact in Romantic Fiction.’ First of all we heard from Matt Bates, the WH Smith Travel Book Buyer and Lyn Vernham, Managing Director of Independent Publisher, Choc Lit about what the industry might want from us as romantic fiction writers based on latest trends.

Amongst other things, Matt explained that E. L. James’ book ‘Grey’ had 23% of market sales last year leaving everyone else a bit stranded in the romance market! If you take that book out of the equation, the first book in the top 100 sellers from last year, with only 4.93%, was ‘The Woman who Stole my Life’ by Marian Keyes. Interesting, eh? He also said that £7.99 was the average paperback publication price and that ‘nature’ seems to be a trend in the titles of current bestsellers e.g. Beekeeper, Dandelion, Sunflower, Nightingales, Sea.

Lyn said that romance remains a hard market to get noticed in. She said that series are very popular at the moment and that Apple were really pushing them at one point. On the day that the shortlist for Choc Lit’s latest ‘Search for a Star’ competition came out, she revealed that the one after this competition would probably be the last one. She told us that £1.99 seems to be the best price for an ebook and that contemporary romances still sell the most.

In the afternoon, Julie Cohen took over with an interactive workshop called ‘How can we deliver the right impact with the opening to our romantic fiction novel?’ We had all been encouraged to bring in our own work for discussion. So Julie collected these from us at the start of the day and after we’d analysed the first 100 words of her current novel ‘Where Love Lies’ and picked up some tips on what to include and what to leave out, she set off reading out each of our individual pieces of work. It was a bit daunting at first because she read each one out and then commented on it and invited us to comment too. She mostly kept the entries anonymous though and her comments were very constructive and thoughtful. Although mine broke one of the ‘rules’ by starting with someone waking up in bed, the feedback was really useful and I asked Julie for some more advice afterwards as well. So I came away feeling positive. It was great to go on another writing day and it gave me back my motivation to get going with my writing again.

Saturday, 13th February, 2016

When I got home, I found that my first guest post for this coming week had gone live on my friend, Susanna Bavin’s blog. Sue has been so supportive of me and my writing over this past year and so it was lovely to be asked to return to her blog to celebrate From Here to Nashville’s first birthday.

I’m also appearing on Elaina James’ blog this weekend, talking about the forthcoming Curtis Brown Discovery Day during which I will get the opportunity to pitch to an agent, something I have never done before! You can read all about how I’m feeling and how I’m preparing for it here.

Monday, 15th February, 2016

Tomorrow, I will be appearing on my Canadian friend, Tracey Weller’s blog, Never Too Late to Write but this is an interview with a twist because Tracey and I did the interview over Skype! We actually talked for three hours in total and the original interview was thirty minutes or so. Obviously, we didn’t want you dropping off in the middle so Tracey has edited it down to ten minutes. Once I got over my initial shock of seeing myself on video (!), I actually found I enjoyed it and I hope you will too.

Thursday, 18th Feburary, 2016

I will also be guesting on Zeba Clarke’s blog, That Reading Writing Thing on Thursday, answering some very interesting questions that Zeba sent me. I’ve not appeared on Zeba’s blog before and it is so wonderful to be meeting new writers all the time and to be able to take them up on their generosity of spirit.

On Tuesday which is the actual anniversary of From Here to Nashville’s publication day, I will definitely raise a toast to my debut book which has done me proud in its first year. I will also thank goodness for all my lovely writing friends and supporters who have kept me going throughout the past year and who continue to inspire me for the future. Thank you!

Giving My First Talk as an Author

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Me in full swing!

My first author talk at my local library has now been and gone but I am still glowing from the wonderful evening I enjoyed there. The library staff were very kind in helping me set everything up beforehand and I had a good sized audience on the night with lots of friendly faces. The atmosphere was so welcoming that I hardly felt nervous at all, which I had really expected to. I ‘present’ all the time in my day job but it’s quite a different feeling when you’re talking about yourself. I know from speaking to other writers that the very idea of standing up in front of an audience scares them half to death! If you can do it though, giving an author talk really is worth it.

I had tried to get round my nerves by being very well-prepared and I think this paid off on the night. The plan was for me to talk about my debut novel From Here to Nashville and also my journey to self-publication. I wrote out what I was going to say over a couple of weeks, adding to the script as I thought of new things. Then I transferred it on to index cards, as advised by lots of other writing friends, and I practised to see how long it was, including me reading out an excerpt. All in all, it was 27 minutes long when I practised but on the night with a few questions, it was more like 45 minutes. I also videoed myself at home to see if I had any glaring habits that I wanted to avoid!

Once I had put the talk together, I had a chat with a writer friend of mine who also had a library talk coming up last week. She suggested playing some country music as people came in which I thought was a great idea and some of you may remember of course, that I even had a Spotify playlist already set up of the songs Rachel sings in the story so I added that to my plan. My friend also suggested asking the audience questions to involve them in the talk and to stop it from getting too formal so I did that too.

In the end, these were my headings:

  • How I started writing.
  • The Nashville TV series and how it inspired the idea for the story. Read out my blurb.
  • Writing as a ‘Pantser’ and discovering NaNoWriMo along the way, which led to me investing in Scrivener.
  • Discovering and then joining the RNA New Writers’ Scheme and my first report back from them.
  • Finding an editor, designer and proofreader.
  • Deciding to self-publish rather than trying for a traditional contract.
  • Publication to Amazon and later other platforms. Read an excerpt. Talked about trip to Nashville.
  • Marketing post-publication – social media activity, including this website and blog.
  • My next books.
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Talking to another RNA member who happened to come along!

One of the things I had to think about very carefully was what technology I would be able to use. The library is all set up for the internet but it isn’t working there currently. This meant I had to do screenshots of the things I wanted to show which could have been boring on their own. So I added in some content to my presentation to go with the shots as well. There were a fair few pictures of my books and I also had a table set up with my books and marketing materials on as well.

The library organised a projector and screen for me and we arrived early to set it all up and make sure it worked correctly. I had to take our bluetooth speaker from home so that we could play the music because the library didn’t have any speakers. I made a list of all the things I would have to take with me and checked and double-checked it before going!

As I said, everyone was so welcoming that I was fairly relaxed from the start. My daughter took some videos of me and my husband took some photos so we have something to remember it all by. I suppose I will have to give in and let you see one of the videos now!

I took a few questions afterwards as well over refreshments and I also sold signed copies of my books. In fact, I sold more copies than I have ever done before at an event of this kind!

So, all in all, as I said at the beginning, it was a very good experience. It was really hard to approach the library in the first instance but once I did, they were very encouraging and happy to help me with promotion and setting up along the way. As I hadn’t had the courage to send out a press release when I first published From Here to Nashville (I know!), this was a good opportunity to write one so that I know what to do next time round. So there were many benefits to doing this, not just the obvious ones.

I suspect that most libraries would welcome local authors with open arms as they try valiantly to keep people coming through their doors so if you love your local library as much as I love mine, then why not give it a try? You might be surprised at how much fun it is! Do leave me a comment below to tell me how you feel about the idea or maybe you’ve already done one so please share your experience 🙂

Promoting Your Book with a Library Talk

V__CAE9A few weeks ago, one of my work colleagues saw my debut novel From Here to Nashville on the shelf in our local library. She very kindly took a picture for me which I shared on my Facebook Author Page. It was a very exciting moment for me, as you would expect.

I decided that I should go into the library as soon as possible and see it for myself but when I said that’s what I was going to do, everyone told me to ask if they would be interested in me giving a talk about my book and my self-publishing journey at the library. I knew that this was a good idea but the very thought of it filled me with dread. Taking that step meant really ‘announcing’ to my local community that I am an author and although people who know me wouldn’t believe it, I am actually quite shy.

So I let a week or so go by and then one day, when I was feeling brave, I just went in and introduced myself to the manager and she was so friendly and welcoming that I was glad (as well as relieved) that I had summoned up the courage to do it. She was delighted when I asked whether she would like me to do a talk and we exchanged details with the aim of scheduling it in before C20151108_093552hristmas.

After a flurry of emails, we have now settled on a date and the manager has produced some wonderful promotional materials too which you can see here. Around this time, someone on our RNA (Romantic Novelists’ Association) members forum asked for advice about writing press releases. This is something that I should have done for my book when it came out of course but once again, I was afraid of doing it in case I was shot down in flames. Well, I got in touch with another lovely member of the RNA who was offering help to anyone who needed it. I have now written a press release which Linda has checked for me and it is ready to be sent to some of our local newspapers and I even have an idea (with Linda’s help) for sending it to the local radio that might just grab their attention. Even if it all comes to nothing, at least next time, I will know what to do.

So now all I have to do is to work out what I’m going to say! I am very used to standing up and talking in front of people (children and adults) but of course, I have never been talking about myself before. I have already decided that the Power Point approach is not going to work for this sort of talk. It’s not a presentation after all. The whole event is going to be an hour and a half long in total but I think that a half hour talk by me, followed by time for questions should be enough. The library is then offering refreshments while I will be signing and selling lots of books (I hope!)

For my talk then, I am going to use index cards and tell how I started along this journey with the idea for the story followed by a summary of the steps along the way to self-publication. I will have my computer there so that I can show my website, amongst other things because I think this will be of interest to some members of the audience. I plan to finish up with a bit about my new book Where My Heart Belongs which is now in the final editing phase before it goes off to a professional editor.

I hope that if this talk goes well, I may be able to interest more libraries in the area, as well as other organisations like the WI. The library manager also contacted me the other day to ask whether I could lend her some copies of my book for a display they’re doing about my talk because the copy they have has now been taken out! This prompted me to get on and apply for a Public Lending Rights account which has been on my to-do list for a while. If you don’t know about this, it is a free service provided by The British Library for authors whereby you are paid for all the times that someone borrows your book from a library. It really is marvellous 🙂

I will of course let you all know how I get on and I hope that if, like me, you have been hesitating to get out there and promote yourself, the library may be a good place to start. If you have already given a talk at your library or somewhere else, please do let me know how it went in the comments below. Thanks for reading.

My First Audiobook Experience – The Girl on the Train

AudibleMy husband recently took the plunge and decided to sign up for a free trial of Audible. As he had read an early review in The Times of The Girl on the Train by Paula Hawkins which had got us both intrigued, it was an easy choice for our first audiobook. We had decided that we would listen to it together to share our thoughts as we ‘read’ something at the same time. We started it on the plane journey to France in the middle of August, listening on and off during that week and then on the way back. We just finished it, a month and a half later, on a long car journey to Oxfordshire and back.

This was the first shock for me. I am a fast reader. My husband is not. If it had just been me, I would have finished it much more quickly and at first, the slower pace drove me a bit mad. Not only the pace of our ability to listen to it at the same time on any kind of a regular basis but also the pace of the actual narration. There are actually three female narrators in this story and I found at the beginning that I kept forgetting little details that I couldn’t easily go back and check. We did get used to the narrators and the pace though and in time, we came to enjoy the whole experience.

GOTTThis had a lot to do with the quality of the story as well, which was one of the best psychological thrillers I have ever ‘read.’ As a writer myself, I found I was constantly listening to the vocabulary and to certain turns of phrase in a way that maybe I don’t take the time to when I’m reading as quickly as I usually do. The constant twists and turns of the plot kept us guessing until we were almost at the end…when my husband guessed and told me what he thought. Hmmm. We enjoyed listening to the story together though and over the time we were doing so, we listened on a plane, in the car, while making dinner and even in bed…but we both fell asleep! I’m not sure if we did ever listen to it on the train but the options are endless 😉 It is an excellent story and one I wish I could have written 🙂

I have already considered whether to have an audiobook created for From Here to Nashville but not gone any further with it than that. First of all, after your free trial runs out, your subscription costs you £7.99 a month and for this, you have one credit, equal to one book. This is a fair amount of money – for a fair amount of work, I know – but compared to an ebook, it’s a lot more. As I don’t drive anywhere long distance on a regular basis, I don’t think I would prefer it over actually reading a paperback or an ebook. For those who do, I can see it certainly would have its benefits, especially when you’re stuck in traffic, although it could easily be a distraction at times. However, how many people would be prepared to pay that amount of money for an audiobook by an unknown (still!) author? Paula Hawkins was also unknown at the time but she’d already got her book deal and as I said, we read a review of her book in The Times. I’m still waiting for them to get back to me about the one they’re writing for my debut 😉

It was interesting to note that in The Girl on the Train, the male voices are all narrated by the female narrators. This made for an interesting take on the sound of different men’s voices from the different female characters’ perspectives. For me, this would be tricky. I have a British woman and an American man, from Tennessee so I would have to have at least two narrators which would undoubtedly be difficult to find and also would affect the cost dependent on which path I chose – a one-off payment to the narrators or a share of any subsequent profits. As a new author, the cost would be prohibitive to pay them upfront before any sales, so I would probably go with a share of the royalties option. There is a lot more information about this whole process on Joanna Penn’s helpful website, The Creative Penn if you would like to read about all the options in more detail.

So while I enjoyed the experience as a reader, I don’t think it would be my preference in the future. This makes me reluctant to do it for my own books, especially when I am still so new to all this self-publishing lark. This is another job to add to an already very long list of jobs to do as an indie and one that can perhaps wait a while.

How about you? Fan of audiobooks or not? Do leave me a message in the comments. I’d love to hear from you. Thanks for reading.

Picture Credits: Amazon and Doubleday Publishing.

Writing Your Second Book

DSCN7835Well, as many of you will know if you’ve liked my Facebook Author Page, I have been stuck in my writing cave for some time now trying to finish writing my second book. For those of you that don’t know, this is the one that I wrote during NaNoWriMo in November 2013. I had no problem writing my 50,000 words that month and was so pleased that I’d got a second story on the go, even while I was still editing From Here to Nashville. In April 2014, I came back to Book 2 and while I was a bit unsure about the story so far, I was still pretty happy with the idea and so I wrote another 30,000 words. Yay!

Then From Here to Nashville  took over and I had no time to look at book 2 again until much later in 2014. When I did, I was certain that I no longer wanted to tell this story. I liked my main characters and a few of my minor characters but apart from that, not much else. I couldn’t even contemplate scrapping it so the only other option was to rewrite it, picking out what I liked from the 80,000 words already written and dumping what I didn’t like. Having made that decision, I then buried my head in the sand for the best part of the following five months because I couldn’t face the prospect of sifting the right words from the wrong ones.

As an indie author, I can make my own schedule so you’d think that this decision was a sensible one. I thought I could take my time, publish and promote From Here to Nashville and when things were a bit quieter, I could just go back to book 2 with a clear head. However, in the meantime, I signed up for my second year on the Romantic Novelists’ Association’s New Writers’ Scheme which meant that I could submit this second book for a professional report just like I did with From Here to Nashville. The only problem being that the deadline for submission is the end of August. In January, that seemed like loads of time. At the start of May, it seemed like a hair’s breadth.

It was at this point that I realised it was make or break time. So after our Nashville holiday, I made myself a plan. I would finish working through all the old material by the end of May and then I would commit to writing at least 1,000 words every day with a deadline of completion by the end of July. This would give me time to at least read it through myself before sending it off.

Suddenly, I felt set free to just write, even though I still hadn’t written a detailed outline. I had got something in place though and I just kept refining it as I went along. I am very pleased to say that I have been able to write a minimum of 1,000 words a day, sometimes, as many as 3,000 words in a day and I feel exhilarated to have reached this stage. I finally broke 80,000 words yesterday, something I honestly thought might never happen when I decided to rewrite. Still, I have made it and I am steaming towards the end now, well ahead of schedule.

I had hoped that I might finish the first draft before attending the RNA’s annual conference next weekend and it is still possible but I’m not going to beat myself up about it. I still have plenty of time 🙂 When I read Michael Cairns’ guest post for my blog last week, I realised that this is what writing professionally is all about: building a habit. If you can do that, preferably (in my case) with an outline along side while you write, it can only get easier to write more.

Once the report comes back from the RNA and I have dealt with those edits, I will begin my editing process going through the drafts which I hope will be a bit quicker this time round. Then it will be time once again for professional editing, proofreading and cover design!

Thank you so much for reading as always and if you have any tips for the writing of your second book, do let me know in the comments below. Have a great writing week!

P.S. You can now buy signed paperback copies of From Here to Nashville from me directly! Just click on the sidebar 🙂