Deepings LitFest and a Look Forward to May

Deepings Literary Festival 2017I have just spent a lovely couple of days at a Literary Festival not far from me in Market Deeping, Cambridgeshire. My good friend and fellow romance author, Ros Rendle (whose books you can find here), lives there and she alerted me to the festival early on so I was able to book to attend a couple of brilliant events before everyone else cottoned on! The Festival came about through the efforts of their Deepings Community Library. This library was threatened with closure by the local council until a group of community volunteers took it over and saved it. What better way to celebrate that success than with a Literary Festival?

And sBlack Water - Louise Doughtyo it was that I went trundling up the A1 from Bedfordshire to Cambridgeshire on Friday afternoon for my first session which was a Creative Writing Workshop with Louise Doughty, no less, the author who wrote the brilliant psychological thriller, Apple Tree Yard which was recently shown on the BBC. I was very excited to meet Louise of course – I’d loved the book and the TV series – but also to hear how she goes about plotting. There were about twenty of us there for the workshop and Louise asked us all to start by saying how much writing experience we had. Most people there were not writers but it was quite a surprise to find that I had sat down next to a new member of the RNA’s New Writers’ Scheme – how uncanny! You know what they say about ‘Birds of a Feather…’

Anyway, Louise was very generous with her knowledge and her handouts! She is about to start writing her ninth book and she said she always starts with a vision of a character in a situation. For Apple Tree Yard, she saw a woman (Yvonne) in the dock at the Old Bailey and she knew in her mind that the woman was about to be caught out in a great lie. She didn’t obviously know what that lie was yet but she knew it would be the character’s undoing. Louise also knew that the man standing next to the woman, was the woman’s lover not her husband. And that was it. She said she sometimes lets the idea germinate for up to two years before she starts writing and in that time, she will write the odd scene and collect lots of material from her research. She then works on the basis of three critical plot points at 25%, 50% and 75% – many of us will have come across that idea before – but Louise elaborated on it by saying that it’s not just about making something happen at each plot point  They have to be events which change the situation irrevocably for the character – there can be no going back from it, which has certainly got me thinking about how I might need to change my current work in progress…Louise Doughty signed copy

After the workshop, Louise answered questions for another hour and would have gone on longer, I think, had there been enough time. I had received a copy of her latest book, Black Water, as part of the workshop and was even able to get it signed before leaving. Louise was also given a gift by the organisers of the festival. I’ll have to tell you what it was because I don’t think you’ll guess. A local butcher’s had made some Apple Tree Yard sausages in celebration of Louise’s visit to the festival and she was given some to take home! I also bought some the following day and I can confirm that they were very delicious 🙂

Grasmere Butcher;s, Market Deeping

 

Erica James - Deepings Literary Frestival 2017My first session the next day involved lunch and conversation with bestselling women’s fiction author, Erica James. I have to confess that I’ve not read any of her books before but after listening to her speak and tell us about her writing career and her life, I’m looking forward to discovering this ‘new’ author. She’s written fifteen books as well so that will keep me busy for a long while! Her latest one is Song of the Skylark and it looks like a lovely story. Once again, I was lucky to be in the company of some good friends at this event, even though I went on my own. My friend, Ros introduced Erica, and I managed to sit at a table with another friend and romance author, Karen Aldous (who also has a bit of a thing for French vineyards!) and her husband on one side, and lovely book blogger and reviewer, Linda Hill of lindasbookbag.com on my other side. We had a wonderful lunch at Lilli’s Tearoom in Market Deeping, Lilli's Tearoom, Market Deepingwith dainty sandwiches, scones and cakes all taken with a lovely cup of tea! Linda’s husband took a super picture of us all enjoying our tea, which you can see on Linda’s post about the festival here.

And so I waddled back to the library for my final session of the festival. This was a Read Dating session where there were ten local authors with their books and you got to sit down with each of them for about five minutes before the bell rang and you moved on to someone else. A unique way to introduce readers to new writers. Most of the writers were new to me and it was really enjoyable to meet them and find out about their publishing journeys while sharing my own. But my best conversation of all was with my friend, Jane Isaac, who I ‘met’ almost as soon as I went online but have never had the pleasure of meeting in real life until this weekend. Jane writes crime thrillers and her latest book, The Lies Within, is coming out on Tuesday. It was such a pleasure to meet Jane in person and to chat together, albeit briefly, and such a wonderful reminder of the benefits of social media in bringing people together.

Bookmark - Jane Isaac

*****

My book The Vineyard in Alsace continues to sell well as it comes up to its third month since publication. I will be visiting the blog of another romance writer this month, Karen King, taking part in her Travel Thursday feature, so look out for that on the 18th.

I’m also going to be attending a craft fair on 21st May with my books and as a result, I discovered that I would need Public Liability Insurance (don’t ask!) Anyway, the cheapest quote I found was via The Society of Authors and while I was exploring their site again, I realised that I qualify to be an Associate Member of The Society. When I looked at the criteria previously, I obviously didn’t read the conditions properly. So I am now an official member of The SoA and will be attending my local writers’ meeting next month for the first time 🙂

I’m also off to the RNA’s Summer Party this month where the Joan Hessayon Award winner will be announced. A number of my friends have qualified for this award this year by having been given a traditional contract by a publisher after being on the New Writers’ Scheme. So I’m really looking forward to going and celebrating with them all, regardless of who wins.

After all that, I will need a holiday, which is lucky because I have one coming up in June!

One Month Since the Publication of Book 2

As I’m writing this, it has been a month since I indie published The Vineyard in Alsace, my second full-length novel. It has been a really good month with sales reaching higher than those for From Here to Nashville in its first month two years ago. While I’m really pleased about this, of course, I wish I knew how it had happened so I could do more of the same!

I’ve been a guest on some lovely blogs again but no more than last time, although perhaps the reach of those sites is greater than the ones I guested on last time. I have tweeted here and there about my book but I hate the idea of constantly tweeting about my book so it hasn’t been very regular. I’ve taken part in the RNA’s weekly hashtag on Twitter though which leads to an incredible amount of RTs from the generous members of the group so that has probably helped somewhat. I haven’t written a blog post myself in the past month so that can’t be it! I have shared my Facebook Author Page posts a bit more to my personal timeline and I also tried boosting one of my posts for a while. I have also sold some of my paperbacks independently but not that many. I’m starting to get a few reviews in now but again, not that many yet. I did get into the top 10,000 ranking on Amazon, which was a lovely feeling.

So I am at a loss as to what is helping the book to sell so well. It is only for sale on Amazon at the moment so I guess that Amazon’s algorithms must be doing something for me. It may be them showing my new book to readers who have bought Nashville and perhaps that’s leading them to buy The Vineyard in Alsace as well. It’s tempting to say, whatever it is, I don’t care as long as it’s selling. But you can guess that I’m not going to. I’ve been giving it all a lot of thought, as you can tell. Conversely, sales of my first book have stopped dead, which is understandable but still makes me feel sad. I recently updated the back matter in From Here to Nashville to include the detail of my new book and I think it might be time to put Nashville up for a Kindle Countdown free deal. At last, all those articles I’ve been clipping about running a free book promotion will come into their own!

My prime reason for doing this would be to try and get more reviews for From Here to Nashville. It’s said that when you get to 50 reviews, the Amazon algorithms kick in somehow and start to promote your book more for you. Whether this is actually true, I don’t yet know but I’d love to get more reviews anyway. I have 30 at the moment and have been stuck there for a long time – if you’ve read From Here to Nashville and haven’t yet reviewed, please go and write one for me now! Just click here.

So I’m going to spend some time doing some research into the best approach to running a free deal on Amazon. Then I’ll upload the new version of From Here to Nashville and see what happens. In the meantime, I shall keep my fingers crossed that the good sales continue. If you haven’t bought your copy of The Vineyard in Alsace yet, you can get your copy here. So many people have told me that they read it in one sitting, they were enjoying it so much so you might like to go and see what all the fuss is about!

Thanks for reading and do leave me a comment if you have any advice from running your own Kindle Promotions. All advice gratefully received 🙂

Publication Day #2 and Lessons I have Learned!

thevineyardinalsacePublication Day of my second novel The Vineyard in Alsace has come at last and I have managed to co-ordinate the Kindle and the paperback versions to be published at the same time, something I didn’t quite achieve first time round. As regular readers will know, this book has been a long time coming but it’s here now, indie published again, and I couldn’t be happier.

Some of you may have read my interview with my good writing friend, Susanna Bavin which was posted this weekend. Sue has been such a good friend to me, always cheering me on and boosting my confidence. I am truly grateful to her for her support. If you haven’t seen the article, do pop over and have a read if you can.

On Friday 10th March, I will be appearing on the French Village Diaries website, talking about my love of France, which I am really pleased about. It’s so lovely to discover a new website dedicated to some of my favourite things. So if you like all things French as much as I do, don’t forget to pop on over and have a look. Jacqui will also be posting a review of my book a couple of days later so look out for that. You can always get your own copy now though, if you can’t wait! Just click here.

Next weekend, I will be on fellow romance author, Abbey MacMunn’s blog, talking about the inspiration behind The Vineyard in Alsace, and the Monday after, I will be on my friend, Sam Russell’s blog, talking about how I came to write a book about a vineyard from the rustic viewpoint! I have another couple of guest blogs coming up in the near future as well but no dates for those as yet.

Amazingly, it has only been seven weeks since I first spoke to the designer and proofreader I used this time round because, as my book was already edited, it was pretty much ready to go into the final phase. However, I have learnt a few lessons since last time and I thought it would be good to share them with you.

  1. In retrospect, it would have been better to get the proofreading done and out of the way before engaging the designer. This is because when you come to sort out your paperback version, you can’t get the number of pages of your book until you upload your final mansucript, and your designer needs this for the width of the book spine. It may sound obvious to some people but if I came across this last time, I’d forgotten!
  2. If you have a foreign language in your book, like I do, and you want your proofreader to check it, make sure the one you want to use is available by speaking to them a couple of months before. By the time I spoke to my original choice of proofreader, she was all booked up. To be fair though, I hadn’t planned this very much in advance so I didn’t even know two months before that I was actually going to indie publish again. I found another wonderful proofreader but she was very honest in telling me that she wouldn’t be able to check the French. I got round the problem but it’s a lesson learned for the future.
  3. As many of you will know, I write in Scrivener which is so great in terms of generating a .mobi file. It also generates Pdf files which can be uploaded directly to CreateSpace but I really couldn’t work that out last time so I uploaded a Word document instead. This time, I was determined to do the Pdf to save some time. However, a Pdf is like a photo of your file and you can’t adjust things, like empty lines at the top of the page or widows and orphans. I have reviewed my file using CreateSpace’s online reviewer tool (when it finally decided to work for me) and it looks acceptable but with hindsight, I wish I had just gone for the Word option. A proof copy is on its way to me and if I really can’t stand it, I will swap the files over. All this adds to the time it takes to do everything, of course!
  4. I put my book up for pre-order again as I did last time and was surprised to see that I can now see a report at any time on just how many pre-orders I’ve got and how that compares with last time. There’s a lot of talk about whether it’s worth putting your book up for pre-order and my conclusion is that it is worth it. It generates a bit of a buzz and a sense of expectation and even if you don’t sell many, at least you can see sales coming in 🙂 I’d be interested to know what you all think about pre-orders from a sales point of view and as a reader? Is it a Marmite situation or do you think it doesn’t matter either way?
  5. The other thing that I did last time was to create a book trailer using Stupeflix. I think a book trailer is a good thing to do but crikey, it’s so time consuming! I’ve looked at a few other software programs like Animoto for example but didn’t find them any easier so the date for the book trailer is TBC 😉

And so, there it is. All in all, it has been a bit of an easier ride this time round but it’s amazing how much you forget in two years. I really do hope to publish my FHTN novella this year so I hope it will all remain fresh in my memory till then!

Thanks for all your support and to everyone who has bought my book especially!

Author Spotlight – Jackie Ladbury

My author in the spotlight this month is contemporary romance author, Jackie Ladbury. Jackie recently published her debut romance novel, Air Guitar and Caviar. Welcome to the blog, Jackie!

agc_front_rgb_150dpi-copy-2Air Guitar and Caviar – Jackie Ladbury

Busker Dylan spends his days pulling pints in the local pub and singing on the high street, waiting for fame to call. That suits him fine, until beautiful, but frosty, air stewardess, Scarlett, tosses some coins into his hat but ignores his killer smile and his offer of pizza.

He sets out to get the girl, but Scarlett isn’t in the right frame of mind to date anyone, let alone a penniless, if charming, busker boy.

Dylan’s desperate for his big break, but will it bring him the happiness he longs for? And with Scarlett’s past threatening to ruin her future, will Dylan be left to make sweet music all on his own?

Amazon

*****

Excerpt

Scarlett glanced over toward the bar, hoping to catch Dylan’s eye, but he turned away from her, his eyebrows drawing together, his lips set in a hard line. She had made a huge mistake. She’d humiliated Dylan, who thought she’d wanted to see him, and Todd thought she’d accepted his offer of dinner for the same reason. She needed to focus on Todd, though—after all, her diplomacy could be the difference between keeping her job, or not.

She managed to avoid answering his direct question, as Dylan took to the makeshift stage and started to strum his guitar. ‘Hi there, all.’ The room fell silent as he spoke, and he gave a little wave that made Scarlett’s stomach flip with nerves on his behalf. She prayed he was as good as he seemed to think he was.

‘If I’m too loud, or too annoying, just let me know, and I’ll tone it down, or even, if you’d rather, I can shut up completely—I’m cool with that, too.’ As he grinned at his audience, they all looked as if they were metaphorically egging him on, willing him to be fantastic.

After strumming a few chords, concentrating on his guitar, he raised his eyes and scanned the crowd, his gaze settling briefly on Scarlett who smiled encouragingly. He didn’t acknowledge her but gave a rueful grin to the pub-goers, as if to say here I go, then. He started singing, melodic and soulful, his songs gentle and sweet.

Scarlett found herself both astonished and mesmerised. His guitar playing was brilliant, and so was his voice. She also noticed that he looked rather gorgeous in a pale blue linen shirt, unbuttoned just enough to show a smattering of curly chest hair. Okay, so the jeans had seen better days, but ripped knees were fashionable and at least they looked clean. How had she not spotted how hot he was sooner? Okay, she had clocked his long legs before and his wide smile, but suddenly the whole Dylan thing was as if she was seeing him for the first time.

He was relaxed and funny when he spoke in between songs, and when he finished his last song, he was greeted with thunderous applause. Some of the women even standing up to clap, and he beamed as he left the stage.

Feeling pride she hadn’t earned, Scarlett wished Todd wasn’t sitting opposite her, his prim mouth in a moue of disapproval.

Her heart stumbled a little, as Dylan caught her eye, heading for the bar, but his smile died on his lips, his eyes sliding away from hers.

She felt cold at the thought that she had hurt him so thoughtlessly. ‘Todd, I must congratulate Dylan, I won’t be a minute.’

‘Must you?’ Todd snapped, his lips setting in a hard line, but Scarlett ignored him and walked over to Dylan.

She put her hand out to congratulate him, but he walked straight past her and behind the bar. ‘You were brilliant, Dylan. Fantastic.’ She sounded patronising, even to her own ears, but she smiled wider, hoping he’d forgive her for bringing Todd.

He looked brooding and angry, as he helped himself to another drink, pushing a small glass up to the dispenser, concentrating on the clear liquid splashing out. He raised the glass. ‘Cheers.’ He downed it in one and wiped his mouth with the back of his hand.

‘Dylan?’

‘Just don’t, okay?’ His voice was so low, he almost growled, his eyes flinty and hooded.

She didn’t know what he meant, but she knew quiet anger when she saw it. ‘Don’t what?’

‘Don’t bother doing this artificial congratulatory thing, as if you care.’

‘I do care.’

Dylan’s smile twisted into something resembling a sneer. ‘I think we’re about done here, don’t you?’

‘What … What do you mean?’ she stammered, as he glowered at her.

‘You didn’t need to ram it home, you know. I might not wear a city boy suit, or a posh uniform with stripes on my shoulders, but that doesn’t mean I’m stupid.’ He thrust his chin out in Todd’s direction. ‘Oh, I don’t date, you know.’ He mimicked her voice, falsetto.

‘Oh, you mean …?’ She glanced over at Todd, who was stabbing out a message on his mobile with his forefinger. ‘No, he’s a work colleague.’

‘You let them all touch you in that way, do you?’

‘No, and that’s not fair.’

‘I should have realised you were a flirt as soon as you said you were a stewardess.’

Scarlett felt her jaw drop. ‘How dare you pigeon hole me like that? You know nothing about me.’

‘And, Scarlett, the corporate air stewardess…’ He pushed the glass up against the dispenser once more and scowled. ‘I think it would be best if we leave it that way.’

His words hung in the air, as she took in his meaning, and she let out a breath. ‘Fine by me!’ Her mouth tightened as she glared at him. She wanted to stomp off, but couldn’t seem to move, wondering how they’d managed to argue when they barely knew each other. ‘You were the one who started this,’ she threw at him, her own anger rising at the unfairness of his attitude. She didn’t know what her point was, but she knew the anger she directed at him was misplaced.

‘And I’m calling it in.’ Dylan ran his fingers through his hair.

Their eyes locked, both firing a mixture of anger and regret.

‘Is this chap bothering you?’

Scarlett raised her eyes, forced to break eye contact, as Todd placed himself between herself and Dylan.

‘No, he isn’t, and he won’t bother her again.’ Dylan’s gaze raked over her face, the stark anger already replaced by sadness that belied his words.

‘Let’s go, then. I’ve paid the bill.’ Todd put his hand on Scarlett’s arm and threw Dylan a dirty look, while Dylan glanced at Scarlett as if to say Really? He’s your sort of man?

Scarlett didn’t want to leave with Todd, and she didn’t want Dylan to think she did. She wanted Dylan to put his hand on her arm, staking a claim the way Todd did, but he didn’t move. She threw him a pitying look, determined to hold the moral high ground. If that was how he behaved, then he didn’t deserve her loyalty, anyway.

As Todd patted her hand, she groaned inwardly. What the hell was she doing?

She wanted to explain to Dylan how it was with Todd. The hold he had over her, manipulating her with his threats and sexual overtures. She was so confused, but really, she just wanted Dylan to like her again.

Except, that would mean she cared about Dylan and that wasn’t how she felt, at all. Was it?

*****

And now for my interview with Jackie:

Can you tell us more about what inspired you to choose the setting for your current book?

My working background was mostly airline based, either flying as a stewardess or latterly as a ground handling agent for a corporate aviation business at Stansted Airport. It seemed natural that I would write ‘what you know’ although it took me quite a long time to settle on airline based stories. Consequently, I have three full length novels written on different topics that may or may not see the light of day. With Air Guitar and Caviar, I had a ‘what if’ moment when I saw an immaculately dressed air-stewardess turn her nose up as she passed by a beggar. I wondered how he would feel if he saw her every day and was a little bit in love with her. I metaphorically gave him a guitar and made him charismatic and handsome and that was it – the quest for Dylan the busker to make beautiful air-stewardess, Scarlett fall in love with him, had begun.

Do you find it hard to come up with ideas for stories? How do you go about it?

I don’t really find that bit hard, it’s the sorting it all out into the right order to turn it into a book that does me in. I think because I write romance, (and I don’t think I’ll ever write any other kind of book, regardless of the era and setting) I start off with the sort of man I think I would fall in love with, and put him into an interesting setting, throw a few challenging situations at him and a girl who has her own troubles, and voilà.

How long does it take you to write your first draft? How many more drafts will there be after that?

Oh, God, I’m such an ‘all over the place’ type of writer that I don’t really know how long it takes. I’m likely to start writing another story when I get fed up of the current one and, sometimes decide not to bother with one that I’ve written say 30,000 words of, only to resurrect it a year later.

Air Guitar and Caviar was totally re-written, as I knew the story wasn’t good enough, but I just loved my busker boy and the frosty Scarlett too much to let them go. I suppose I didn’t really have any sense of urgency then, as I hadn’t been published, but now I really intend to get my act together – honest!

How many drafts of each story do I do? Loads! My best discovery was finding Kindle’s Text to Speech as I send my novel to my Kindle and listen to it while reading the story. This has made a HUGE difference to my writing and if anyone ever hears me moaning about the giant that is Amazon – just remind me of this wonderful feature.

What’s the hardest part of writing for you?

I’m not a touch typist so it takes me ages to literally type the story and I make loads of frustrating mistakes. Also, my concentration span is appalling, so I have to take myself off somewhere where there is no internet or silly distractions. Getting the structure of the plot is often hard too, as I write in an excited ‘stream of consciousness’ kind of way and then realise that the storyline is all muddled. So, another thing I intend to change is my planning process, i.e. I need to plan!

What do you enjoy most about the writing process?

I think it’s the editing once the basic story is written. I get an enormous sense of satisfaction when I see that I’ve made sentences and paragraphs so much better than the first or second time around.

Is there a recurring theme in your novels or is each one completely different?

Not really a recurring theme but the second and third novel are both airline based. My heroes are always gorgeous – and that’s a good place to start!

Have you started work on your next novel yet? If so, can you tell us anything about it?

The second novel is still untitled, but mostly finished (it’s had so many titles that if I don’t look at it for a week or so, I don’t know what to type in the search box to find it). It was shortlisted in a Mills and Boon Flirty Fiction competition but having dabbled in Mills and Boon writing, I realised their style wasn’t for me, as the story line, in my opinion, is too limiting. So, I’ve struggled a bit to change the style of the writing and consequently it’s taken me a lot longer than it should have.

The third novel is drafted out and it’s about an FBI guy who is sent to track an air-stewardess who they believe is drug smuggling. He starts to like her against his better judgement and all sorts of shenanigans happen before the ending is ironed out. It’s set in Africa and Russia so should be quite entertaining.

About Jackie

me-2Jackie was desperate to become a journalist when she left school but was ousted within minutes on the day of the exam at her local rag because she’d forgotten to bring a pen. Short and sharp lesson learned. Her budding writing career was not on hold for long, though, as Jackie found herself scribbling love stories of pilots and ‘hosties’ while she flew in aeroplanes of various shapes and sizes as a flight attendant herself.

Fast forward a good few years and Jackie finally decided it was time to discard her stilettos, hang up her tabard and say goodbye to the skies to concentrate on what has become her new love – writing full-length romance novels.

After being shortlisted for Choc Lit’s Search for a Star competition with her novel Air Guitar and Caviar, and again shortlisted for a first chapter Flirty Fiction competition, she decided the time was right to become a professional writer. She is now putting the finishing touches to her series set in the fictional StarJet airline.

Find out more about Jackie here:

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When Books get Turned into Films or TV Shows

I’ve recently watched both a film and a TV programme of two books I had loved reading so I had high expectations of what I would see on screen. Over the years, I have seen many such films or TV shows based on favourite books and the results have been quite hit and miss. It’s a fine line for production companies to please everyone but it’s one thing that’s guaranteed to get everyone talking.

The recent TV programme I’m talking about is of course, the BBC adaptation of Apple Tree Yard by Louise Doughty. There are no spoilers here by the way, if you want to carry on reading 🙂 So, here’s what happened. I read all the build-up telling us that this great book was going to be on TV and then I saw the author’s name, recognising her from when she had been on the celebrity version of University Challenge over Christmas. I remember liking her at the time but feeling a bit ashamed as I’d never heard of her and after the show, I went and looked her up on Amazon. And I was overjoyed to see that she has written a lot of books. I made a mental note to buy one of those books at the earliest opportunity. Then came the news that Apple Tree Yard was going to be on TV so I decided to buy that one – the premise looked so compelling – and I planned to read it before watching the show.

By the time the first episode aired, I was about a quarter of the way through so I decided to risk it and watch the show unable to wait while everyone else was watching. The book was fabulous and so was the first episode of the TV show, with Emily Watson in particular, doing a wonderful job of playing Yvonne as I knew her from the book. I did feel disappointed that all the nuances of Yvonne’s inner thoughts couldn’t be shown on screen and also I had to wonder why there was the need to change minor details, like the name of her husband but apart from those niggles, I felt it was very faithful, in fact shockingly so, to the story. I carried on reading, furiously trying to get far enough ahead before the next episode. When I watched the next instalment, I was so close to the story that I could pick out exact phrases from the book when they were used and I felt that Emily Watson did an amazing job of recreating Yvonne’s suffering.

By the time the final two shows were aired back to back, I had finished the book and I was looking forward to a thrilling ending in the programme to match it. Unfortunately, this did not happen for me. I watched it with my husband who hadn’t read the book and he thought the ending to the story was brilliant. And it was, but the TV version didn’t have quite the same brilliance for me as the book did. There were too many differences, some subtle and some huge and it was at this point that I wondered if I had perhaps done the book a disservice, and myself in the process. Maybe I needed to have read it some time before so that there was some distance between my reading of it and the TV interpretation of the same so that I could be objective. Having read some of the online reviews of the TV programme since then though, I don’t think I’m alone in the view that the TV programme just didn’t quite live up to the book.

Last night, we watched The Girl on the Train, which is the only audiobook we have listened to. We listened to it in the summer of 2015 when we were on holiday in France and were doing a fair bit of driving. I remember the book pretty well, maybe because we listened to it and it took us quite a long time to do so. The narration was brilliant, told by three different female narrators, and the story literally had us on the edge of our seats. After every chapter, we discussed what had happened and what we thought it all meant, and the shared experience was very enjoyable. Mind you, we haven’t listened to any other books together since then, but I don’t think we would be averse to doing it again if the circumstances were right.

When the film came out at the cinema, we decided not to go and see it because of the poor reviews we’d heard about the film. Set in America, you say? How would that translate? And Emily Blunt in the main role? Hmm, we’d just watched her in Sicario, which I really didn’t like although I do think she’s a good actress. We would watch it eventually we maintained, just not at the cinema. So I added it to our Amazon watchlist and last night we were in the mood for it. And do you know what? We loved it 🙂 Our daughter watched it with us as well and even she was drawn in enough by it to unglue herself from her phone! The change of setting worked well, we thought, and didn’t bother us at all and Emily Blunt’s acting was nuanced and empathetic. The tale unfolded carefully and as we approached the end, I realised that I couldn’t remember exactly what happened so the thrill of the ending was just as good for me as if I hadn’t read the book. So, perhaps a bit of distance does help, who knows?

Of course, there have been plenty of awful adaptations of books I have loved. The worst one of all time for me was the film of The Time Traveler’s Wife by Audrey Niffenegger. I loved this book so much and spent half the time I was reading it sobbing in anticipation of the ending so the film had a lot to live up to. And it didn’t.

I have tried the film a couple of times but the depth of the love story just isn’t there for me, no matter how much I want it to be.

In April, I am lucky enough to be attending a local literary festival where Louise Doughty is going to be talking and giving a creative workshop. I imagine that there will be quite a few questions about Apple Tree Yard, especially as I hear that a sequel might be in the offing.

Do you have a favourite TV/film adaptation of a book you’ve loved? Or worse, one you hated? Do let me know in the comments and keep the conversation going. See you next time, when I hope to have news about my second book – actual, definite news with dates and everything!

 

Moving on after a tumultuous year

dscn2089Well, I knew I hadn’t been blogging as much as usual but I was still surprised to see how long it actually was since my last post on this site. Last year knocked me for six in many ways, as I’m sure it did a lot of other people. I’m not just talking about the obvious stuff but personally and professionally as well. This had a knock-on effect on my writing and I feel I’m only just coming out of that funk…

So what’s happening? Well, my second book has been finished for a little while now and I sent it off to some more publishers to see if there was any interest. I first sent it out in December 2015 and had some responses but no-one wanted to go the whole hog. I then spent a fair bit of time trying to find an editor I could afford, to help me with the necessary rewriting. That took me till June of last year and I worked on it all the way through the summer with her, finalising it at the end of September. I then dithered about a bit, wondering whether a traditional contract was really what I was looking for. In the end, I did submit it again but I still wasn’t really sure that it was what I wanted. I have heard back from some of those publishers but I’m still waiting on one other and I feel that if I haven’t heard by now (nearly two months later), it’s most likely not going to be good news. If the answer is ‘no’ once more, I really am going to get on and self-publish. I recently finished my accounts for last year and I realised that sales of my first book would qualify me as an independent author of the RNA if I had only published two novels! I was almost there for the Society of Authors as well. So, it’s time to crack on, I think.

In the meantime, I have started work on editing my follow-up novella to From Here to Nashville, as well as beginning the first draft of my third book to submit to the RNA later this year. I still have lots of writing plans but the hesitation over whether to self-publish or whether to seek a traditional contract made last year disappear all too quickly for me. Part of the problem with self-publishing, as so many of you reading this will know, is that it costs a fair bit of money to do it properly and as I left my permanent teaching job at the end of 2015, I didn’t have much money to throw around for most of last year. However, I did have regular work all year as a supply teacher, tutor and web designer and this recently led me to a new part-time job for a local charity as a Communications Officer. This will obviously make this year a lot more stable for me. I will still do a bit of supply teaching but my freelance website work has really picked up as well and I’d like to explore that further in the coming months. Proofreading never really took off for me but every cloud has a silver lining, or at least some of them do 😉

So having said all that, I should be looking at publication of book two very soon, I hope, and possibly publication of the novella as well. I guess I’ll just have to see how things go and not beat myself up too much if it doesn’t quite go according to plan the whole time. As long as I keep writing, that’s the main thing. With that in mind, I have signed up to the RNA’s New Writers’ Scheme again, which will force me to write my third book and will also make sure that I stay involved with other writing groups and friends. Last year, I wrote about ‘The Brave New World of 2016’ and I have felt very brave at times over the year as I dealt with some very unexpected things. I can honestly say that I won’t really miss last year though. We can only hope that 2017 is better for everyone. I leave you with a quote from Alfred, Lord Tennyson: ‘Hope smiles from the threshold of the year to come, whispering, ‘It will be happier.” Wishing you all the best that a New Year can bring.

 

If you would like my help with your website, whether to sort out a minor niggle that you just don’t have time for, or for a full-blown new website design, please do get in touch. My freelance site is here or you can just leave me a comment 🙂

Author Spotlight – Ros Rendle

This month’s author in the spotlight is another of my very good writing friends, Ros Rendle, who’s here to tell us about her latest book, Flowers of Flanders. Welcome Ros!

flowersFlowers of Flanders – Ros Rendle

Rose rivals her beautiful, mercurial sister for Michael’s love but calculated lies and misunderstandings alter the young peoples’ course. War breaks out and Michael is as eager as the others to go.

Maybe Rose will settle for second best with Thom even though she cannot get Michael out of her soul.

Does a man need the grace of serenity to rediscover his own or is it frivolity and seduction he craves when he has been through the darkest places of war? Michael’s experiences in the trenches gradually alter his perceptions.

This is a story about deceit and loyalties, complex relationships and loves developing from youth to adulthood during a cataclysmic time in history.

Readers who are entranced by sweeping historical sagas will devour Flowers of Flanders, Ros Rendle’s drama set before and during the First World War.

Amazon

*****

Excerpt

Early summer 1912 – A town near Manchester, England

Rose’s heart was singing with the joy of the sun and the birds and the glossy, bright leaves above her head. She and her two younger sisters strolled home along the lane when the peace was shattered by a lot of clattering and shouting.

“What on earth is that noise?” She stopped to listen.

Izzy, only twelve years old, grabbed Rose’s arm and whispered, “I don’t like it, Rose. What should we do? It may not be safe to venture further.”

“Oh don’t be such a wet, Iris,” Delphi said, using her given name as she often did. She tossed her head.

Rose, who always maintained the peace, answered her youngest sister, “Don’t worry Izzy, it’s probably the boys playing rowdy games.”

“I don’t think…” Delphi’s words were interrupted.

There was an ear-splitting bellow and then, “Bloody hell, Crispin.” It was a deep male sound.

Rose, certain she recognised the voice, felt her stomach churn and her heart beat faster. She had known Michael nearly all her life and loved him for almost as long.

The older girls looked at each other with widening eyes and ran. Izzy followed. Their steps were short and quick; long, narrow skirts hindered their progress. They didn’t have far to go round the corner of the lane when through the trees their fourteen-year old brother, Hector, came bounding.

Seeing his sisters he called out, “That stupid fellow Crispin has walloped Michael good and proper. We were play-acting but he’s done it now.”

“What do you mean?” wailed Izzy.

Delphi ran ahead. She held onto her hat with one hand.

“These wretched skirts,” Rose heard her say to no-one in particular as she hitched them up. “It’s alright for you Hector,” she called as he disappeared through the trees ahead of her. Rose knew that as the most active sister, it was frustrating for Delphi to endure her skirts. Many times she had said it was so much easier for men.

There were shouts at the hapless Crispin as she arrived.

Rose came with Izzy through the trees that bordered the lane. Her gaze, generally gentle and myopic, took in the situation and she looked on in horror. The sun through the branches slapped the group with searing tiger stripes. Michael stood with head bowed. The deep gash on his forehead was a slash of vermillion vividness which dripped unheeded; a violent splash on his shirt, so white. A long log of wood lay at his feet and three other lads stood and looked aghast but clueless.

Delphi’s voice rose as she berated them all for their stupidity but Crispin, as the main culprit, received her full wrath.

“You’re fighting with sticks! What on earth for?” Delphi demanded. “Hector you should know better,” she continued, looking at her brother who had got back to the scene of the crime ahead of her. With the full force of her words again upon Crispin she added, “That’s a dirty great log. It’s not even a stick, you dolt.”

Rose saw Crispin regard Delphi. She recognised the look he gave, admiring her beautiful face with its prominent high cheekbones. Rose felt a pang of envy. Everyone looked at Delphi that way including Michael. At that moment, though, Delphi was frowning yet it still didn’t detract from her exotic looks. Her lovely dark eyes, so often dancing with fire lights glared at the culprit.

*****

And now for Ros’s guest post:

My latest book is the first of a historical fiction trilogy that has a strong romantic element. The main front cover image is that of my grandmother and while it’s definitely not her story she was the inspiration for it. She always looked for the good in people and if someone did something awful she tried to see beyond the action to the reasons. In this way she could be forgiving. Sometimes people can take that for granted.

In my book Flowers of Flanders, Delphi is the sister of the main protagonist, Rose. She tells a malicious lie which affects Rose’s relationship with Michael as well as changes the destiny of other characters including Delphi herself. Rose must learn that to be forgiving all the time is not always the best strategy for anyone’s benefit. This is set against the backdrop of a world in turmoil just before and during WW1. Michael must learn which sister he needs to survive.

It is of paramount importance for me to research thoroughly. Just because it’s difficult to find a fact doesn’t mean I can ‘wing’ it. Someone reading the book will surely discover the truth. The main historical facts are easy enough to find. Everyone knows that the killing of the Archduke Franz Ferdinand was one catalyst for the start of the Great War and many have heard that it was Gravilo Princip who pulled the trigger. Fewer would know that the gun used was originally issued by the Serbian army which cast a different light, for some, on the motive. But it’s not just these huge historical facts that are so important. What people ate for breakfast, wore in the afternoon, slept in or how they travelled is equally important. When certain words entered the vocabulary or what particular foods were in short supply also give a flavour of the times and can really disrupt the reader’s enjoyment if these things are wrong.

I once read a book by a highly respected and well-known author who talked about ‘the dreaming spires of Cambridge’. Aargh! Of course the Matthew Arnold poem refers to those spires of Oxford.

For the WW1 scenes in my book I visited the records offices at Kew and accessed the war diaries of the relevant regiment. The anecdotes about which I write are true incidents, bizarre as one of them in particular might appear from today’s view. The horrors of the mud and the blood could have been much more graphic from what I learned but I wanted to maintain the genre of the book while being true to people’s feelings.

It took significantly longer to write this book than my first which was contemporary women’s fiction. This time there was little first-hand experience upon which to draw. However I am enjoying the research aspect of writing historical fiction. My current WIP is a sequel and features Delphi’s daughter, Flora. It’s set in Vichy France, so between 1940 and 1944. There is much less written about this and some that I have discovered is clouded by politics (with a small p) of the time. However, the deeper I dig the more interesting it becomes and it’s easy to divert from my original enquiry. I have learned, though, not to ‘info dump’ and so much of the research will never find its way into a book.

We lived in the region of the Somme for ten years. It was easy to soak up the atmosphere of this region, especially when visiting some of the main sites early in the morning. At some ceremonies a lone piper would emerge from the mist that cloaked the land. At other times the silence was intense and then a lark would rise, singing as it soared and it was easier to imagine those men awaiting their fate in a silence almost as profound despite the odd cough or clink of weapons.

I have my husband to thank for showing me some of his collection of books about WW1 and for driving us out to the actual spot upon which we know, since he is mentioned in the war diaries, my grandfather stood on 1st July 1916 at 7.29am.

About Ros

rosHaving worked as a Headteacher, Ros has been used to writing policy documents, essays and stories to which young children enjoyed listening. Now she has taken up the much greater challenge of writing fiction for adults. She writes both historical sagas and contemporary romance; perfect for lying by a warm summer pool or curling up with on a cosy sofa. Her books are thoroughly and accurately researched. This is her third book.

Ros is a member of the Romantic Novelists’ Association and the Historical Novelists’ Society.

She has lived in France for ten years but has recently moved back to the UK with her husband and dogs. Ros has two daughters and four grand-daughters, with whom she shares many heartwarming activities.

Find out more about Ros here:

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