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My First Indie Author Podcast Interview!

MXL Microphone for my first indie author podcast interviewAs some of you may have seen if you’ve liked my Facebook page, this week I gave my first indie author podcast interview. Paul Teague from the Self-Publishing Journeys podcast invited me a few weeks ago and I said yes before I could talk myself out of it! If you click on the link above and scroll down the page, you will see that my interview is coming up on 5 November. When it goes live, it will move to the top and you can listen to it there on your computer.

Subscribing to Podcasts

Alternatively, you can subscribe to Paul’s podcast on your phone or other mobile device to listen to it while you’re on the go. A couple of people told me they weren’t sure what a podcast is so I hope this makes it clearer for you.

You can listen to podcasts on all kinds of topics these days, anything from comedy to politics (you may consider these to be the same right now!) It’s so handy for the commute to work or even to while away the hours (!) spent cleaning, gardening etc. My husband listens while he’s at the gym but the thought of the gym just makes me shudder 🙂

Podcasts I listen to

I mostly listen to mine on my commute and while driving here, there and everywhere. I tend to listen to writing podcasts only – apart from Paul’s, I listen to the Self-Publishing Formula and The Creative Penn. If you already listen to podcasts, which are your favourites? Do let me know in the comments or by sending me an email to julie@julie-stock.co.uk. I’d love to hear your tips.

Preparing for the interview

And so, to the interview. Well, I was delighted when Paul asked me to be a guest on his show. I’ve listened to his podcast diary and his interviews for a long time now. So it was a real badge of honour as an indie author to be invited to chat with Paul about my self-publishing journey. However, I was also quite nervous. Paul is a former BBC man with lots of experience so I wanted to make sure I came across as professional and not like a bumbling idiot! (Only time will tell…)

Anyway, Paul was very organised and I didn’t have to do much beforehand except to make sure that my Skype account was all set up properly. (The last interview I did over Skype was in February 2016 and you can read that post here). My husband sorted me out with a decent microphone from his own supply at his business, and once I had my earphones, I was all set. I did spend a bit of time thinking through the questions that Paul might ask me but not so much that I would sound rehearsed when it came to it. Paul advised me to think of it as a chat between us rather than an interview so I tried to focus on that.

How did my first indie author podcast interview go?

When we finally did the interview, Paul was so easy-going that my nerves melted away and soon we were chatting like we’d known each other for years, which in a way we had. The time passed very quickly and we had a short break after the main interview where I breathed a sigh of relief. Then we carried on chatting about all sorts of things. We recorded another short interview of quick fire questions afterwards, which is for Paul’s Patreon supporters first of all but will be available generally at a later point. And then it was time to say goodbye. I was buzzing for a good hour afterwards because it had been such a great experience. I did then start to worry whether I’d said anything I shouldn’t about anyone or anything (!) but I’m reasonably confident I didn’t…

Should I start a podcast?

As you can see from this link, my husband now offers a podcast bundle of gear you’d need to set up your own podcast. It’s professional gear so it is a bit expensive (cheaper options are available) but since he put that bundle together, I’ve been thinking more and more about whether to do a podcast myself. I’ve thought about it for a while but always decided against it because of lack of time and skill, but who knows? Maybe one day I will give it a go.

Anyway, don’t forget to let me know your favourite podcasts and to tune in to my interview on Paul Teague’s Self-Publishing Journeys podcast on 5 November. In the meantime, it’s back to editing book 3 for me!

A Long Hot Summer

Holidays

I’m just back from a lovely holiday in the Lake Garda area of Italy where it was mostly hot and sometimes thundery. It’s a beautiful area though and we explored it to the full, taking in Milan, Verona and Venice, as well as some of the beautiful villages around the southern end of the lake itself.

Back home now in the UK, the long, hot summer we experienced in May, June and July seems a distant memory and instead, apple crumbles, Halloween and Bonfire Night are on my mind. There is no thought of the C-word as yet though so please don’t even go there!

New Boxed Set

I have spent most of the last few months wrestling with the creation of a boxed set of my From Here to Nashville novel and its sequel novellas, and I’m pleased to say I have finally finished it. I now have an ebook and paperback version of my From Here to You series with beautiful new covers ready to go. These will be publishing shortly and I’m going to have a special offer for my newsletter subscribers which I will be revealing soon. However, I thought you might like to see my beautiful new cover for the series which I am so pleased with. I have Mary Jayne Baker to thank for the vibrant new covers of the rest of the series and I think you will agree that she has done a wonderful job for me.

Marketing

I have been concentrating more on marketing over the summer as well, learning how to advertise my books on the various platforms with some success, and some failures of course! But I seem to have got my head round it a bit more now. I have also been steadily building my newsletter list and this has been very successful. When people join, they now get a free download of the prequel novella to the From Here to You series and this has been very popular. If you’d like to get a copy, you can do so here.

Writing

Writing wise, I have been steadily keeping up with my 12 Short Stories Challenge so that I have now written 9 this year and as soon as the year has finished, I will be editing and publishing this collection for you all to read. My next big job though is to get on with the editing of my next book which is long overdue. This is the one set in a bistro you might remember, and I really need to get on with it now. To be fair, I have had a few unexpected obstacles to overcome, including being taken into hospital at the end of June, and subsequently, being off work for a few weeks. I am feeling much better now but I still don’t have a diagnosis as yet so I need to keep myself busy! Being able to go on holiday really helped and was great creative inspiration 🙂

So that’s all for now. Look out for more updates soon!

 

Author Talks, and a Crazy Month of Marketing

Another month in my writing life has gone by, and at times, it feels like I don’t have a lot to show for it. However, all the marketing work I’ve been doing this past month will hopefully yield some results in the very near future.

Author Talks

Firstly, I gave a talk at Flitwick Library at the beginning of May, which I had been really looking forward to. Then on the morning, it absolutely bucketed down with rain. I knew that as the talk was free, this would probably put a lot of people off from venturing out. And sadly, I was right. I had the grand total of 4 people at my talk and one of those was a lady from the library! However, they were a lovely group of people and all very interested in my writing and how I self-publish my books. The lady in the front row was in her eighties and still adamant that she would finish writing the book she’s been writing all her life. She was such an interesting person and asked lots of questions about self-publishing. I wouldn’t put it past her to finally get her book out there now. Having so few people in the audience does at least mean they can stop you and ask you questions when they want to, and the time flew by. I sold a couple of paperbacks to that same lady and I enjoyed giving the talk, so it’s never wasted. But it would be nice to have a few more people at my next library talk.

Then towards the end of May, I was invited by a former teaching colleague and friend, to come and talk to her book club. They’d all bought and read The Vineyard in Alsace before I came, and they were all very keen to talk about it and my writing. This time, there were a good dozen people there and we had a great chat about writing, in general and mine specifically. It was a really good atmosphere, even when they gave me some critical feedback. It was useful feedback though and delivered kindly so I took it on the chin 🙂 One of the book club members was a man, and he made my day when he said he’d read my book in one sitting, even though romance isn’t his preferred genre. He gave me some useful feedback too so overall, it was a great experience.

My next talk will be at Hitchin Library in Hertfordshire on 28 July. My Society of Authors group is running a Saturday Series of talks at the library over the summer and into the autumn. I went to the first one given by Hugh Bicheno, a military historian and fiction writer, and he had a full house in the audience. The talk he gave was absolutely fascinating, all about the Wars of the Roses in Hertfordshire. I even got to try on a sallet, which is a medieval helmet! Here’s Hugh wearing it on the day. I couldn’t even see out when I put it on 😉

Image may contain: one or more people and indoor

 

The full list of talks is very varied and you can see it here on The Society of Authors’ website. If you are nearby or in the area, it would be lovely to see you in July. There’s even a Facebook event page in case you want to show your interest!

Marketing

Over the past month, I have finished off two courses I’d enrolled in from The Self-Publishing Formula team; one was about cover design and the other was a self-publishing 101 course. I took the cover design course so that if I did ever want to have a go at creating my own covers, I’d have a better chance of knowing what I was doing. I’ve worked in marketing myself for many years, either side of being a teacher, and so I have quite a bit of experience of designing things, but it’s one thing to be doing posters and leaflets, or even annual reviews but it’s another to do your own covers so that they look professional. It was a great course, led by Stuart Bache of BooksCovered, and it was very practical so I had a go at making a fair few covers of my own. But, crikey, it is really hard work! Just sourcing the photos could take a whole day. I really learnt a lot and I think I could have a good go at a cover in Photoshop now. However, I don’t think I could ever do as professional a job as the designers I have used to make my covers for me. It gave me even more respect for those professionals, and a better understanding of what they do for me at the other end.

The Self-Publishing 101 course seems a bit crazy for someone who has now self-published 5 books, I know, but after the success of The Vineyard in Alsace, I wanted to be working out how to move myself up to the next level. It was a big investment but it has already proved useful. So this month, I wrote a prequel for my From Here to You series, and I’m offering this free to people who sign up to my email list. Once written, I had to commission a cover for it, and send it round to my wonderful beta readers to get feedback on it. Then I had to advertise it in the back of all my other books and set it up on Book Funnel so that readers could download it. Then I had to advertise it on my website, and set up automated emails for new subscribers to make sure they received it! In the middle of all this, we had GDPR-mageddon (as Book Funnel called it rather wittily) and I also migrated this website over from a free site to a self-hosted one. So now you know what I mean by a crazy month! I’m very pleased with the finished novella though. Here it is in all its glory:

On top of this, I was finalising the last novella in that same From Here to You series which is now up for pre-order here, and updating all my other books with details of this new one, Finding You. The final piece of the plan will be the issue of a box set of all three books in the From Here to You series. The cover isn’t ready yet so I’m thinking carefully about when to release it but it will be soon-ish!

I have learned all these things from that course, and more besides, so it has already started paying for itself. But it is fair to say that I will be glad to get back to editing my third novel when all this is done, and you never thought you’d hear me say that! It just goes to show though how much more I could have been doing to market myself and my books. I’ll let you know how that all goes next month.

One thing you learn very quickly as an indie author is that there is always something else you could be doing. I just hope that some of this activity will pay off soon!

Thanks for reading, and if you go ahead and download Before You after signing up to my list, do please let me know what you think of it.

Until next time.

Author Spotlight – Sandra Danby

This month, I am delighted to welcome romantic suspense author, Sandra Danby to my Author Spotlight. Sandra’s second identity detective novel, Connectedness, has just been published, and she’s here to tell us more about it and her other writing today.

 

Photo © Sandra Danby Sandra Danby – Connectedness

TO THE OUTSIDE WORLD, ARTIST JUSTINE TREE HAS IT ALL… BUT SHE ALSO HAS A SECRET THAT THREATENS TO DESTROY EVERYTHING

Justine’s art sells around the world, but does anyone truly know her? When her mother dies, she returns to her childhood home in Yorkshire where she decides to confront her past. She asks journalist Rose Haldane to find the baby she gave away when she was an art student, but only when Rose starts to ask difficult questions does Justine truly understand what she must face.

Is Justine strong enough to admit the secrets and lies of her past? To speak aloud the deeds she has hidden for 27 years, the real inspiration for her work that sells for millions of pounds. Could the truth trash her artistic reputation? Does Justine care more about her daughter, or her art? And what will she do if her daughter hates her?

This tale of art, adoption, romance and loss moves between now and the Eighties, from London’s art world to the bleak isolated cliffs of East Yorkshire and the hot orange blossom streets of Málaga, Spain.

A family mystery for fans of Maggie O’Farrell, Lucinda Riley, Tracy Rees and Rachel Hore.

Buy on Amazon.

*****

An extract from ‘Connectedness’.

Prologue

London, September 2009

The retired headmistress knew before she opened the front door that a posy of carnations would be lying on the doorstep beside the morning’s milk bottle. It happened on this day, every year. September 12. And every year she did the same thing: she untied the narrow ribbon, eased the stems loose and arranged the frilled red flowers in her unglazed biscuit-ware jug. Then she placed the jug on the front windowsill where they would be visible from the street. Her bones ached more now as she bent to pick them up off the step than the first year the flowers arrived. She had an idea why the carnations appeared and now regretted never asking about them. Next year, someone else would find the flowers on the doorstep. In a week’s time she would be living in a one-bedroom annexe at her son’s house in a Hampshire village. She walked slowly back to her armchair beside the electric fire intending to tackle The Times crossword but hesitated, wondering if the person who sent the flowers would ever be at peace.

1

Yorkshire, May 2010

The clouds hurried from left to right, moved by a distant wind that did not touch her cheek. It felt unusually still for May. As if the weather was waiting for the day to begin, just as she was. She had given up trying to sleep at three o’clock, pulled on some clothes and let herself out of the front door. Despite the dark, she knew exactly the location of the footpath, the edge of the cliffs; could walk it with her eyes closed. Justine lay on the ground and looked up, feeling like a piece of grit in the immensity of the world. Time seemed both still and marching on. The dark grey of night was fading as the damp began to seep through her jeans to her skin. A pale line of light appeared on the eastern horizon, across the flat of the sea. She shivered and sat up. It was time to go. She felt close to both her parents here, but today belonged to her mother.

Three hours later, she stood at the graveside and watched as the coffin was lowered into the dark damp hole. Her parents together again in the plot they had bought. It was a big plot, there was space remaining.

Will I be buried here?

It was a reassuring thought, child reunited with parents.

The vicar’s voice intoned in the background, his words whipped away by the wind. True to form, May was proving changeable. It was now a day requiring clothing intended for mid-winter, when windows were closed tight and the central heating turned on again. Or was it that funerals simply made you feel cold?

‘Amen.’

She repeated the vicar’s word, a whisper borne out of many childhood Sunday School classes squeezed into narrow hard pews. She was not paying attention to the service but, drawn by the deep baritone of the vicar who was now reciting the Lord’s Prayer, was remembering her first day at art college. The first class. Another baritone. Her tutor, speaking words she had never forgotten. Great art was always true, he warned, and lies would always be found out.

In her handbag was a letter, collected from the hall table ten days ago as she left the house for Heathrow and Tokyo. She had expected to return home to London but, answering the call from her mother’s doctor, had come straight to Yorkshire in the hope of seeing her mother one last time. The envelope, which was heavy vellum, and bore smidgens of gold and scarlet and the Royal Academy of Arts’ crest, was still sealed. She knew what the letter said, having been forewarned in a telephone call from the artist who nominated her. It was the official invitation. If she accepted, she was to be Justine Tree, RA.

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And now for my interview with Sandra:

Can you tell us more about what inspired you to choose the theme of an identity detective for your books?

The concept of the ‘Identity Detective’ series was originally about adoption reunion and how the adopted person, adrift from their roots, gains a sense of identity. Where does this feeling of belonging come from; genes, place, a secure family, life experience? As I started to process these thoughts and put them into Ignoring Gravity, which was intended to be a standalone story about Rose Haldane, I realised there was a whole experience out there that wasn’t being told. We hear about adopted parents and children being reunited but not about how they find each other, the struggles, the failures, the rejections, the awkward meetings, and who helps them. It seemed natural that Rose, a journalist, should evolve into an identity detective helping others to find their families as she had found her own. From there it was a logical step to developing a series of novels, each one looking at a different viewpoint in the adoption experience. Birth mother, father and siblings; adopted child; adoptive parents and siblings. These names are blunt tools, labels that serve a purpose in aiding lost people to find each other.

How do you go about coming up with ideas for your books that work with your theme?

One thing I am not short of is ideas. As a magazine features editor I had a box file of cuttings and scraps of paper, each one an idea for an article. And it’s the same now. I’m a magpie, a collector of facts and snippets, stories on the television news or in the newspaper, good news stories on Facebook. I have a series of box files into which all these cuttings are placed, and the virtual equivalent on my computer. Sometimes I will read a story and know immediately how it will fit into my work; there is an excitement that comes with this, like fitting the last piece into a difficult jigsaw. Each book has to have a mystery at its heart, questions to be answered, anonymous people to be identified. Often an event in history is the trigger, that’s how I found the idea for the third book in the ‘Identity Detective’ series. Sweet Joy will tell the story of an elderly woman seeking the truth of her abandonment; she was found as a baby, uninjured, alone in the bombed out ruin of a house in London during The Blitz. I had a vague idea that I wanted to set my third novel in wartime London and was reading in the library when I came to a passage describing how half of a house was demolished by a bomb while in the other half, an elderly couple slept on, curled up together in their bed, unharmed. What if, I wondered, it was a baby instead? I ask myself ‘what if?’ a lot.

How important is setting to you in your novels? I know this book is set in both Spain and Yorkshire, places you know well. What made you choose these places particularly?

Knowing the setting is one of the key building blocks for me, I must know the setting before I can start writing. Until then I will build on ideas, writing exercises to experiment with characters, motivation and personality. Perhaps I need to visualise a character in a particular place before I can write more. It seems all my novels are destined to be set in places I know; so, I will never write a fantasy novel! I found a note to my writing group, written in 2010, when I first started to explore the character of Justine. Even that early in my thought process Justine was born in Yorkshire, like me, though she was heading for art college in Paris not Spain. The Spanish connection happened when I realised it was futile planning to send Justine to Paris to study art, when we live in Spain only an hour from Málaga, birthplace of Pablo Picasso. And so the Picasso link was born and I spent many happy hours in Málaga researching the streets, the art, the parks, choosing the settings for key scenes. I was able to use my own sense of foreignness, alienation and language struggles, experienced when we first arrived in Spain, for Justine’s arrival in 1982. I still write about our life in the Spanish countryside at my Notes on a Spanish Valley blog.

How do you go about doing your research? How do you keep your research organised?

The other side of idea generation comes through research and I enjoy this a lot. I read a lot of non-fiction and history, I visit archives, museums and country houses – this instinct to research comes from my journalism training, the need to search for facts – and from this I will experience ‘light bulb’ moments. Sweet Joy is taking me into new territory and I am relishing it. I have always been interested in World War Two, raised as I was in the Sixties on my father’s diet of war films and Alistair MacLean novels. So my research list involves visits to IWM Duxford, the Fleet Air Arm Museum, and ‘The 1940s Relived’ day at the Brooklands Museum.

How long did it take you to write your first draft of this novel? How many more drafts were there after that?

I wrote the first chapters on Connectedness in 2015 though I had been researching and planning long before that, during the time Ignoring Gravity was written and published. There were seven full drafts with ‘down time’ allowed in between; I find it helpful to put the manuscript aside and occupy myself with something else so that when I return to the draft I read it afresh. This does mean that I write quite slowly, but I have come to accept that I will never be able to produce a novel a year, or even every two years.

What do you use to write your books? Word, Scrivener, pen and paper…?

I write on Word on my Mac, on an old wi-fi-free laptop, on the Word app on my iPad with a little clip-on keyboard, and in my writing notebook. Although I use Scrivener to produce mobi files, I haven’t used it for writing and admit to finding it a little confusing. Re-writing is mostly done on the old laptop. I don’t need to be in a particular place to write; I have written in noisy coffee shops, cramped airplane seats, vibrating train seats, and sitting on a sunbed on a beach. I do believe however in printing out each draft and reading it with a pen in my hand, another old journalism habit. I spend a fortune in paper and printer cartridges.

What’s the hardest part of writing for you?

I am not great at technology. I used to be when I was younger; it’s easy to be proficient when you work in a big publishing company with the latest computers, regular training and a helpful IT department. It’s very different being a company of one. But I have found a group of people who support me in what I do, who can answer my questions and help when I despair. I also find support in various online writer groups; all writers today, I think, sit alone at our computers so are ready and willing to help each other. I find that heart-warming.

What do you enjoy most about the writing process?

As the first reviews come in for Connectedness, each one giving me a little boost of excitement, I could say ‘now’, just before the book is published. But actually I enjoy the process of writing. If I could, I would live on a remote hillside or deep in an isolated forest, alone with my writing. Wi-fi not required.

Are you going to continue writing about this theme in your novels or do you have plans to write something completely different in the future?

I have ten clear outlines for further ‘Identity Detective’ novels and a few more sketchy ideas. I may take a break after Sweet Joy and write a standalone novel. There are a number of options I could choose. I grew up in Yorkshire and would like to return to my roots.

Have you started work on your next novel yet? If so, can you tell us anything about it?

Sweet Joy starts in 1940 as a baby is found alive in a bombed house in Twickenham after one of the worst nights of The Blitz. The house is shut-up and unoccupied, its owners moved to the countryside for the duration of the war. So why was a baby left there, alone, and what happened to her parents? Decades later, when Rose Haldane moves to Twickenham she cannot understand how she has acquired a stalker, an elderly woman who watches from across the road. Except the woman is not stalking Rose.

Thanks so much for being my guest this month, Sandra. Wishing you every success with your new novel.

*****

About Sandra Danby

Photo © Sandra Danby

Sandra Danby is a proud Yorkshire woman, tennis nut and tea drinker. She believes a walk on the beach will cure most ills. Unlike Rose Haldane, the identity detective in her two novels, Ignoring Gravity and Connectedness, Sandra is not adopted.

 

 

 

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A Month of Learning Opportunities

March has been another busy writing month for me but this time, it has mostly been because of so many new learning opportunities that have presented themselves to me.

Prime Reading

One of those has been being invited by Amazon to have The Vineyard in Alsace included in a Prime Reading promotion for three months. Since I signed up, my book has risen up the charts to a high point of no. 7 so far, which as you can imagine, has been fantastic to see. I am learning new things about how it works all the time and delighting in the recognition my book has been getting. I have Amazon Prime myself but I had no idea that it included books! How mad is that? So if you do too and you want to read my book for free, get yourself along to my book page here and download it! And if you could please write a review when you’ve finished, that would be even better!

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New Courses

So what else have I been up to? Well, first of all, I decided to sign up to the Self-Publishing Formula Podcast’s Cover Design course. I do some design work in my day job, and I used to do design when I worked in marketing before I became a teacher many years ago. I enjoy doing it but have never taken any courses, and as I enjoy the cover design process so much, I thought it would be useful. I don’t really have any plans to make my own covers, although there might be some circumstances when I could in the future, but I thought it would help me to understand the process a bit more. And it really has. The course is delivered on behalf of the SPF team by Stuart Bache, who designs all of Mark Dawson’s covers. Stuart’s own company is called Books Covered and you will see many familiar covers there from the romance genre. You do need Photoshop to get the most out of the course but you will then get such a lot of practice in from trying to create your own covers and seeing what goes into the process. The course is still open but is a bit more expensive now. I’m still working my way through but enjoying it immensely.

Then after I heard about the Cover Design course on the podcast, they re-opened their Self-Publishing 101 course. Hopefully, you’re thinking ‘Why would you need that course, Julie?’ when you read that! Well, that’s a good point and one I had worried over myself since I first heard about the course opening late last year. It’s quite expensive and I didn’t want to make an investment like that if I wasn’t going to learn anything new. However, even after indie publishing three books now, with a couple more to come this year, there are still things I’m not doing to best effect. I haven’t really built a proper mailing list and for that you need a reader magnet (which I haven’t written yet!) and to promote that in various ways to encourage people to sign up. One of those ways is via a landing page on your website, which is when you realise that a free WordPress website doesn’t have the scope for you to do that kind of advanced stuff. It has been on my mind for a while to migrate my website again but I just haven’t done it. So really, doing this course is about helping me to work out what I still need to do to move myself to the next level, writing a checklist and then doing it! Fortunately, you can pay monthly for the course and it is still open for a few days. If you should want to take a look, the link is here. If you can’t stretch to that kind of investment, you should listen to the podcast because there are so many useful hints and tips in each episode – it really is great!

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Writing Retreat

Finally, this month, I went on my first ever writing retreat, just in time for the second wave of snow. It sounds terribly self-indulgent but I was given it as a birthday present from my family! Last weekend, I drove up to Warwickshire to a lovely hotel and joined about a dozen other writers at various stages in their careers for a weekend of writing and learning. The course was run by two RNA members, Alison May and Janet Gover. You can find out more about their courses here. They’re both traditionally published and have lots of experience between them.

Before I got the schedule, I was expecting to spend most of the weekend holed up in my room, bashing away at my laptop in isolation. However, that wasn’t the case. There was writing time, of course but there were also tutorials and workshops, which were really helpful. The most helpful ones for me were the ones on plotting and editing. I also had a one-to-one with Janet about there first three chapters of my next novel which I’m calling The Bistro for now. One of the things I struggle with is knowing where to start with the editing process when I get my first manuscript appraisal back from the RNA. It all seems insurmountable! But as a result of this course, I now have a proper plan to work to and I made a start on the plan while I was there so when I come back to it, I feel that I will be better prepared to make a start and not be as daunted as I normally feel.

I learnt a lot from my fellow writers too, and the weekend was a very sociable experience that I would really recommend to you. I switched everything else off and just spent time on my writing, and that felt wonderful!

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My Latest Publication!

I can’t finish without mentioning that I also published a new book this month! Over You (Sam’s Story) was published on 12 March, 2018, and already has a few good reviews. It means that I now have a series – the From Here to You series – and this is book 2 following on from the end of From Here to NashvilleThe third and final sequel will be out around May, I hope. If you haven’t downloaded Sam’s Story yet, it’s only 99p on Amazon and tells a story of heartbreak, love and healing. You can get your copy on Amazon now.

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If you want to know when my next release is out, why not sign up to my mailing list here?

Until next time, thanks for reading!

Cover Reveal for Over You (Sam’s Story)!

Cover Reveal

I am very pleased to announce that my new book, Over You (Sam’s Story), my first sequel novella to From Here to Nashville, is now ready to publish! And here is my beautiful new cover! I hope you will agree that my designer has done a stunning job.

This is a new designer I’ve been working with this time and she had the difficult job of matching this cover to the style and branding of From Here to Nashvilleas well as coming up with something that worked with this new story.

I am so pleased with the final result. I hope you like it as much as I do, and that you’ll agree it sets the scene well for the story to come.

Over You (Sam’s Story) is now up for pre-order – just click here – at the amazing price of just 99p. It will go on sale officially on 12 March, 2018. With the publication of this novella of about 35,000 words, I have turned From Here to Nashville and Over You (Sam’s Story) into a series – the From Here to You series. The final novella telling Jenna’s story will be out around May time, and then I will have to say goodbye to my Nashville characters 🙁 Mind you, I did wonder about writing a prequel the other day as well…

Here’s the blurb for Over You (Sam’s Story):

Can the magic of Cornwall help two lost souls to heal?

Heartbroken after seeing the love of his life marry someone else, Sam Andrews wants to escape all the painful reminders of her and to try and move on. Remembering his happy family holidays surfing in Cornwall, he travels to Newquay to help him forget.

Following a tragic event at university, Jessie Pascoe has abandoned her course and returned home to her mum’s B&B in Newquay. But after months of counselling, she’s no closer to being healed, and she’s lost her faith in ever finding her happy ending.

When Sam and Jessie meet, there’s a mutual attraction, and they begin to see a chance of finding happiness together, if only they can both let go of the past. But can they risk opening their hearts to someone new and falling in love again?

A story of heartbreak, love and healing.

Once again, you can pre-order your copy of Over You (Sam’s Story) by clicking here. Don’t worry if you haven’t read From Here to Nashville. You could definitely read Over You as a standalone but if you want to know how Sam got to this point, it might be worth giving From Here to Nashville a read too! All my books can be found here. Happy reading!

RED January – Getting Active for my Mental Health

In January, I took part in the RED January challenge for the first time. RED stands for Run Every Day but the challenge was simply to be active in some way every day and as I hate running, I decided to walk every day instead. The good thing about the challenge was that it was a positive thing to do – I took something new on rather than having to give something up – and the idea behind it was to boost my mental health and wellbeing. Many people also did it as a way of raising funds for Mind, the mental health charity.

And so instead of walking one or two times a week, I upped my game and set about walking every single day. I walked in sunshine, rain and snow, and found new places to walk in my local area that I had never been to before. I’m proud to say that I didn’t miss a single day and I know it really boosted my spirits to go for a walk every day like that. The challenge finished on Wednesday of course, and I’ve had a couple of days off since then but I already miss it on the days I haven’t been out. So I may have to get back to it now that I’ve got into the habit. As I work part-time for a local Mind association every morning, and I would generally go for my walk after that, I found it was a nice way to sign off from that before starting my freelance work in the afternoons.

I can certainly recommend walking as a way of keeping fit for writers and also as a way of getting some thinking done. I’ve heard many writers say that they have been able to solve plot problems while out on their daily walk! I also use the time to listen to podcasts about writing sometimes, which is another good use of your time. The other thing I have enjoyed is taking photos of the view while I’ve been out and about. Sometimes, it’s been incredible to see how blue the sky has been on the days I’ve been out. I have put some of my pictures below for you to see the range of photos I took – unfortunately, you can’t see just how cold it was on some days!

I’d be interested to know what you do to keep yourself active as a writer, and how you find it benefits your mental health. There’s no doubt that if you take your writing seriously, you will be spending a lot of time sitting down at your desk staring at your computer so it really is good for your health to get out and about if you can, even if only for a short while.




Short Story Writing Challenge 2018

Followers of my Facebook page will know that I have signed up to write 12 short stories this year as part of a short story writing challenge. You can find out more about the challenge here. I’ve written a few short stories but I’ve never really felt like I’ve cracked the art of writing them so I decided to sign up to this challenge to make myself do it, and hopefully, get better at it as the year progresses. When I’ve finished, I will then have 12 stories to publish together in an ebook, which will be an added bonus!

The first story came out on Wednesday last week, 24th January. The prompt this month was ‘The Bridge’ and the limit was 1200 words. You can write in any genre. Being a musical kind of person, I went for a musical link to that prompt. I asked people on my Facebook page to see if they could guess what I’d written about and it turns out that they know me quite well! Most people guessed that I’d choose something musical and some even said I’d write about the bridge in a piece of music. No-one knew though that the bridge in songwriting terms can also be referred to as the Middle Eight, meaning the middle eight bars that link back to the original verse/chorus style. Often they’re unsung but not always. You can look at pretty much any song by The Beatles for a good example of how this works.

When we post our story for this challenge, the idea is that we comment on four other stories so by return, I have had a good bit of feedback on mine so far. This month, I’m going to post my whole story here for you to read. I won’t do this every month because I’d like to keep a few back for when I publish but I would really welcome your comments on this first story to see if I can improve it. Remember that fulfilling the story arc in just 1200 words is not as easy as it sounds! And next month, we have only 1000 😉 Thanks for reading and good luck with your short story writing too 🙂 Until next time.

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Middle Eight by Julie Stock (All Copyright Reserved)

Josie stared at her notepad willing inspiration to strike so she could finish the final eight bars of her song. She’d been staring at the paper for several hours now and she still had nothing to go with, not a single note, let alone a bar. She threw the pad down on the table in front of her and stood up, stretching out the kinks that had developed in her neck as a result of sitting in the same position since lunchtime – hunched over with her hand poised above the page for when the first seed of an idea appeared.

She made her way to her kitchenette, realising she hadn’t had a drink for hours which might explain why she was so parched. She poured herself a long, tall glass of water from the fridge and downed it in one. It was a steamy hot summer’s day and she’d been stupid not to rehydrate herself throughout the afternoon. That was the last thing she needed when she was due in the recording studio first thing tomorrow to start laying down the tracks for her new album.

She’d never experienced a block like this before. She’d written a catchy chorus and several verses which told her story so well but she just couldn’t find the contrast she needed for the eight bars that would make up the bridge. She wanted lyrics as well as chords, and she had some minor chords in mind but she simply couldn’t find the words to say what was on her mind. She usually had no problem deepening the emotional impact of her songs in those middle eight bars; in fact, she thrived on it. But she was starting to worry she might be losing her touch. She looked wistfully at her battered old acoustic guitar. She loved it like a member of her own family. It had seen her through all the good times, as well as the bad. But today the magic was missing.

She decided to go out for  some air. Maybe she just needed some time to think away from her notepad, her guitar and the confines of her small apartment. She picked up her purse and keys, slipped on her sunglasses and headed out.

She made her way down to the river bank, her favourite place to think when she was struggling musically. She sat down on the parched grass and stared out at the water bubbling over the rocks on the river bed. The flow of the water soothed her spirit and her eyelids began to droop as the calm washed over her. She lay back on the grass, looking up at the cloudless sky – such a beautiful day. In no time she was asleep. The next thing she knew, something wet was nudging her arm and as she came to, shielding her eyes from the afternoon sun, she saw a small dog had appeared next to her.

‘Hey, where’d you come from?’ She reached out her hand and the dog sniffed it and gave her a lick, encouraging her to stroke his sleek, red coat.

‘Brandy! Where’ve you gone, boy?’

A man emerged from behind a tree and stopped in front of her. His intense, dark-brown eyes appraised her and she didn’t know what to make of his scrutiny.

‘Hi there. Is this your dog?’ She went for the friendly stranger approach, rather than ‘I was about to kidnap your dog and you caught me.’

’Sure is, I’m sorry he bothered you.’ The man smiled revealing a set of almost startling white teeth.

‘No bother, he’s lovely. Brandy, was it?’

‘Yep, not very original, I’m afraid.’ They both laughed then. ‘Well, I’ll let you get back to your day. Bye.’

Josie watched as he went on his way with his energetic little dog, and she missed them at once. She stood up and brushed the grass off her dress. She needed to get back and she wasn’t sure she had found any more inspiration down at the riverside. The air grew heavy as she made her way home, a sure sign that rain was on the way. As she approached her apartment block, she felt the first raindrop and picked up speed to avoid getting drenched when the inevitable downpour came. She ran the last few yards but when the raindrops fell, it was so refreshing to feel the water on her skin that she stopped, allowing the rain to soak into her. She turned her face up to the now overcast sky and gave herself to the elements.

Josie was up early and into the recording studio long before she expected anyone else to be there. She’d brought her guitar with her so she could do her final practice on her own. By the time the sound engineers and the rest of the band turned up, she was more than ready to start laying down the tracks for her album.

‘Hey, Josie, how’s it going?’ Her manager, Brad, was the most positive person she’d ever met and whatever her mood, he was always upbeat.

‘I’m so good today, you won’t believe it when you hear,’ she replied with a conspiratorial grin.

‘D’you finish that final song you’ve been struggling with?’

‘Sure did.’

‘Well, I can’t wait to hear it.’

The morning passed quickly as they laid down the songs telling the story of her life. By lunchtime, Josie was tired but happy with the progress they’d made. She went to speak to Jed, the chief sound engineer, to see what he thought of what they’d done so far.

‘You should be real proud, Josie. You sound fantastic out there. I don’t say this to many but yours is one of the best début albums I’ve ever heard.’

She blushed at Jed’s praise knowing she must have really earned it for him to speak so highly of her work. She touched him lightly on the arm to convey her thanks, and went back to the live room to lay down the final tracks. They’d made a conscious decision to go with the first take of each track without revising it at this stage. They’d listen back to the album as a whole before deciding whether to make any changes.

It was finally time to sing the final track, the one she’d struggled with for so many days – until she’d met Brandy. She’d been so hung up on finding the right words for her middle eight but as Brandy had come bounding into view, the burbling river providing the backdrop to her story, she’d realised that words weren’t necessary. Her guitar did the rest, and although it had taken her most of the previous night to note it down, she’d known in her heart that she’d cracked it. She only hoped Brad agreed with her. As she played the last note, she looked up into his eyes. When he didn’t give any indication of his feelings, she glanced over at Jed, before looking round at the rest of the band. Silence. Silence, followed by rapturous applause.

‘That one’s a winner, Josie. For sure.’ Brad beamed at her and so did everyone else. If only Brandy could see her now.

Author Spotlight – Karen Ankers

This month, I have romantic suspense author, Karen Ankers in my Author Spotlight feature. Karen’s début novel, The Crossing Place, described as a love story with dark edges, was published last week and she’s here to tell us more about it and her other writing today.

Karen Ankers – The Crossing Place

A desperate decision made by a young homeless couple has far-reaching consequences and years later, Laura finds her mundane life disrupted by a series of unsettling dreams. When she meets Paul, a handsome and charismatic past-life counsellor, she refuses to accept his suggestion that these dreams might be memories from a previous life. One particularly difficult dream has her turning to him for help and advice, but revelations about his past make her question whether she is able to trust him. When danger comes from an unexpected source, both Laura and Paul have to deal not only with very real threats in the present, but also doubts and fears from the past.
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Stepping Stones
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And now for my interview with Karen:

1. Can you tell us more about what inspired you to choose the setting for your current book?

I set it in Chester, which is where I grew up, so it was easy for me to envisage where the various scenes were taking place. It’s also a city that offers some really interesting places to set scenes.

2. I know you write poetry and plays as well as romantic suspense. How do you go about coming up with ideas for them all?

Ideas come from all sorts of places. People I meet, snippets of conversation, memories, family dynamics.   One of my plays, Frogs, was sparked off when my partner peered into a glass and said “There are frogs in my beer…”! I use writing poetry simply as a writing exercise. It’s a way of stretching my writing muscles and I very rarely know what a poem is going to be about. I just accept and work with what appears on the paper. My novel, The Crossing Place, was inspired by Brian Weiss’ book about reincarnation, Only Love Is Real.

3. How long did it take you to write your first draft of your novel? How many more drafts were there after that?

The first draft actually took several years, because I wrote it and then put it away, meaning to get back to it and revise it. But then life got in the way and it ran the risk of being abandoned. When I eventually got back to it, I wrote two more drafts in the space of six months.

4. What’s the hardest part of writing for you?

The hardest part of writing is trusting my characters enough to let them do what they want. So many times I have tried to make them fit into a story, rather than allow the story to work around them.

5. What do you enjoy most about the writing process?

I love playing with words. I started my writing career as a poet, so I have an inbuilt sense of rhythm and music.

6. Is there going to be a recurring theme in your novels or will each one be completely different?

I think they will be different. It will depend on what the characters want to do! I don’t have a set genre. But I imagine that themes will sometimes recur.

7. Have you started work on your next novel yet? If so, can you tell us anything about it?

My next novel is called The Stone Dancers and is set in Moelfre, North Wales. It’s about a woman whose attempt to reinvent herself is challenged when events from her past catch up with her. So far, it’s a bit of a mystery, with lots of Celtic myth and legend thrown in.

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Thanks for being my guest on the blog this month, Karen. Good luck with your new novel.

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About Karen Ankers


Karen Ankers lives in Anglesey, North Wales, where she draws inspiration for her writing from Wales’ mythic landscape and from the Celtic storytelling tradition. She started her writing career as a poet and has had poems published in various magazines and anthologies.   Her first poetry collection, One Word At A Time, was published last year and she regularly reads at local spoken word events. She also writes one-act plays, in which she tries to give a voice to those usually ignored and unheard. These plays are published by Lazy Bee Scripts and have been performed in the UK, America, Australia and Malaysia. The Crossing Place is her first novel.

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Another Year Over…

Happy New Year to you all – I hope your Christmas time was a good one. This time of year is always a good one to reflect on what has happened in my indie writing life over the past year and what I hope is to come in 2018.

Looking back over this past year, I have been very proud of the success of my second book, The Vineyard in Alsace. As you’ll know, it took me a while to decide to self-publish again but it seems that this is a common difficulty for many writers. The trouble is that we all want validation in some way or another, and in many ways, that’s what a traditional publishing contract gives you. However, seeing my book sell so well and start to bring in a decent income for me, has given me a good sense of my potential as an author. There is no doubt that it is hard to self-publish and it’s also expensive. It can also be difficult to keep your spirits up when you have no-one fighting your corner and telling you that you’re great. However, when you do succeed, the satisfaction is still as good and deserves to be celebrated. The publication and subsequent sales of my second book, have now allowed me to become a full member of both The Romantic Novelists’ Association and The Society of Authors, and that has made me proud of myself for persevering.

I finally finished writing, editing and proofreading my first novella sequel to From Here to Nashville, my début novel, in 2017 as well. I had planned to publish it straight away but then I decided to go straight on and write the second novella about a different pair of characters from the story, with a view to publishing them both together at the same time. This will allow me to make the novel and two novellas into a boxed set too, as a kind of mini-series. The only downside with this plan is that I will need three new covers – one each for the two novellas and one for the boxed set – which may end up being prohibitively expensive. As I am only just over halfway through the first draft of the second novella, I may change my mind on the plan to publish them both at once. This is my dilemma for January 😉

I was pleased to have blogged more consistently throughout 2017, until I reached December anyway! I managed to have a nice mix of author spotlight posts and posts I wrote myself. Most of my own posts were also sent to my newsletter subscribers and I managed to double my newsletter list during the year as well using Instafreebie.

I also tried out advertising From Here to Nashville on Amazon, Facebook and BookBub during the year, none of which was spectacularly successful but when I consider that I sold five times as many copies of FHTN during 2017 than in 2016, maybe it was more successful than I’d realised. Admittedly, having a second book come up did help, too.

I managed to attend a good number of writerly events during the year, which I thoroughly enjoyed as always. I loved going to the Deepings Literary Festival in April, and then in July, I spoke at my first ever Literary Festival in Hitchin, near where I live. This was a great experience, although probably not one that will happen again in the near future, sadly. I did get accepted by the WI this year, which was an exciting experience as well, although I’ll have to wait till 2019 to actually give a talk!
So, all in all, it has been a good year. In the coming year, I hope to publish my two novellas and also my next novel. I’ve already made a good start with one novella finished and the other halfway done, although that is only the first draft. I’ve also written the first draft of my next novel and received a positive report on it from the RNA New Writers’ Scheme ( my last one). It needs work but it’s not insurmountable. I’m going on my first ever writing retreat in March and hope to make a head start on that second draft when I’m there.

The other main thing I would like to do this year, is to upgrade to a paid WordPress website. I tried this once before, some of you may remember but it was all a bit scary for me back then. Now, I think the time is right to try again. I’m not quite sure whether to do it myself or to get someone’s help but I’m going to take my time and see how it goes.

All of this will keep me busy of course and then there’s my day job and the new voluntary role I’ve taken on as the RNA’s Social Media Co-ordinator. One of my good writing friends asked me how I fit it all in – and the truthful answer is that I’m not really sure! To be honest, sometimes I bite off more than I can chew and that has caused me a few anxious nights but I’m just going to keep doing what I’ve been doing and hope it all works out! Wish me luck 😉

Happy New Year to all of you and I hope that 2018 brings you all you wish for in writing terms and otherwise. I read this wonderful quote on Emma Darwin’s blog the other day, from Ray Bradbury in Zen and The Art of Writing, which I shall leave you with until next time: ‘Quantity gives experience. From experience alone can quality come.’